In this episode, Mrs. 52 Cues and I wrap up the year by looking honestly at what worked, what didn’t, and how 2025 shaped both my writing life and the evolution of 52 Cues. We also lay out what’s coming in 2026 – new podcast formats, mentors, masterclasses, community changes, and a clearer vision for building a sustainable creative life together. Support for the 52 Cues Podcast comes from ReelCrafter, the professional way to pitch your production music and know exactly when your cues are hear...
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In this episode, Mrs. 52 Cues and I wrap up the year by looking honestly at what worked, what didn’t, and how 2025 shaped both my writing life and the evolution of 52 Cues. We also lay out what’s coming in 2026 – new podcast formats, mentors, masterclasses, community changes, and a clearer vision for building a sustainable creative life together. Support for the 52 Cues Podcast comes from ReelCrafter, the professional way to pitch your production music and know exactly when your cues are hear...
In this episode, I unpack what ASCAP, BMI, and SOCAN’s new policy on partially AI-generated works means for production music composers. We’ll talk about where the line is between using AI as a creative assistant and letting it compose for you, what this shift means for publishers and libraries, and whether the “stink of AI” will ever really go away. Plus we take a listen to a brooding intrigue cue, "Crisis Me a River." Watch this episode on YouTube - https://youtu.be/pIELNVxo73Q https://www.b...
52 Cues - A Production Music and Sync Podcast
In this episode, Mrs. 52 Cues and I wrap up the year by looking honestly at what worked, what didn’t, and how 2025 shaped both my writing life and the evolution of 52 Cues. We also lay out what’s coming in 2026 – new podcast formats, mentors, masterclasses, community changes, and a clearer vision for building a sustainable creative life together. Support for the 52 Cues Podcast comes from ReelCrafter, the professional way to pitch your production music and know exactly when your cues are hear...
