Send us a text Mike and Nick return to their journey through Bergman's filmography. This time they explore the medial film in Bergman's "comedic" trilogy. One of the lesser regarded films upon its release, the pair wonder if the criticism at the time was warranted or if Mike's favourite magazine, Cahiers du Cinéma, was right to include this (along with two others, to Nick's chagrin) on their 1958 list. Is this a secret triumph for Bergman or is it another failed attempt at humour from one cin...
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Send us a text Mike and Nick return to their journey through Bergman's filmography. This time they explore the medial film in Bergman's "comedic" trilogy. One of the lesser regarded films upon its release, the pair wonder if the criticism at the time was warranted or if Mike's favourite magazine, Cahiers du Cinéma, was right to include this (along with two others, to Nick's chagrin) on their 1958 list. Is this a secret triumph for Bergman or is it another failed attempt at humour from one cin...
Nick leads Mike to the monumental film that is Andrei Rublev. Tarkovsky uses the 15th-century Russian icon painter to explore theology amidst a world of medieval hardship. Nick dives into the religiosity of the film and the challenges the movie presents for atheists. The pair discuss how some of Tarkovsky's most famous motifs make their first fully realized appearance in this, his second film.
A Filmversation with Mike and Nick
Send us a text Mike and Nick return to their journey through Bergman's filmography. This time they explore the medial film in Bergman's "comedic" trilogy. One of the lesser regarded films upon its release, the pair wonder if the criticism at the time was warranted or if Mike's favourite magazine, Cahiers du Cinéma, was right to include this (along with two others, to Nick's chagrin) on their 1958 list. Is this a secret triumph for Bergman or is it another failed attempt at humour from one cin...
