Send us a text Mike and Nick return to their journey through Bergman's filmography. This time they explore the medial film in Bergman's "comedic" trilogy. One of the lesser regarded films upon its release, the pair wonder if the criticism at the time was warranted or if Mike's favourite magazine, Cahiers du Cinéma, was right to include this (along with two others, to Nick's chagrin) on their 1958 list. Is this a secret triumph for Bergman or is it another failed attempt at humour from one cin...
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Send us a text Mike and Nick return to their journey through Bergman's filmography. This time they explore the medial film in Bergman's "comedic" trilogy. One of the lesser regarded films upon its release, the pair wonder if the criticism at the time was warranted or if Mike's favourite magazine, Cahiers du Cinéma, was right to include this (along with two others, to Nick's chagrin) on their 1958 list. Is this a secret triumph for Bergman or is it another failed attempt at humour from one cin...
Kinuyo Tanaka - The Moon Has Risen & Forever a Woman
A Filmversation with Mike and Nick
1 hour 11 minutes
6 months ago
Kinuyo Tanaka - The Moon Has Risen & Forever a Woman
Send us a text Kinuyo Tanaka is likely best know for her tremendous acting career performing in great works of directors like Kenji Mizoguchi. But she also had a shorter directing career. Filmversation hopes to shine a light on this lesser known director, as the second Japanese female director in history and the first Japanese female to helm director of a movie solo. The Moon Rises reminds both, but Mike especially, of co-writer and show-favourite, Yasujiro Ozu. Forever a Woman stands out as ...
A Filmversation with Mike and Nick
Send us a text Mike and Nick return to their journey through Bergman's filmography. This time they explore the medial film in Bergman's "comedic" trilogy. One of the lesser regarded films upon its release, the pair wonder if the criticism at the time was warranted or if Mike's favourite magazine, Cahiers du Cinéma, was right to include this (along with two others, to Nick's chagrin) on their 1958 list. Is this a secret triumph for Bergman or is it another failed attempt at humour from one cin...
