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A Tripp Through Comedy
Tripp Burton and Ross Bratin
123 episodes
1 day ago
Tripp has rejected mainstream comedies for most of his life. Now, Ross is taking him film by film through the movies he sadly missed (or smartly avoided) until now. Join us as we look at studio comedies from the late 90s and early 2000s. Week by week, we will tackle one (or two) films as Tripp tries to figure out what made them so funny and Ross explains the context Tripp avoided.
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All content for A Tripp Through Comedy is the property of Tripp Burton and Ross Bratin and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Tripp has rejected mainstream comedies for most of his life. Now, Ross is taking him film by film through the movies he sadly missed (or smartly avoided) until now. Join us as we look at studio comedies from the late 90s and early 2000s. Week by week, we will tackle one (or two) films as Tripp tries to figure out what made them so funny and Ross explains the context Tripp avoided.
Show more...
Film History
TV & Film
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Rappers in Comedies: How High and Kingdom Come
A Tripp Through Comedy
1 hour 30 minutes 7 seconds
2 weeks ago
Rappers in Comedies: How High and Kingdom Come

Our exit today has us looking at the impact of hip hop artists on film. This week, we are talking about two films that star rappers turned actors. First, we are going to talk about How High, written by Dustin Lee Abraham and directed by Jesse Dylan. Then, we will talk about Kingdom Come, written by David Dean Bottrell and Jessie Jones and directed by Doug McHenry. And by the end of the episode, one of us forgets what this episode is even about!

Along the way, we of course discuss rap music and rappers in movies. But we also touch on Tyler Perry, stoner comedies, Legally Blonde, stage plays turned movies, chicken buckets, Dreamgirls, funerals, Lord of the Rings, Christmas movies, and Bob Dylan.

And Tripp's favorite line from Runaway Bride comes back again when we discuss Hector Elizondo!

Thememusic by Jonworthymusic.

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⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CFF Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with Ross and friends.

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies Recommended on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

A Tripp Through Comedy
Tripp has rejected mainstream comedies for most of his life. Now, Ross is taking him film by film through the movies he sadly missed (or smartly avoided) until now. Join us as we look at studio comedies from the late 90s and early 2000s. Week by week, we will tackle one (or two) films as Tripp tries to figure out what made them so funny and Ross explains the context Tripp avoided.