In the wake of Martin Scorsese getting nominated for his bleakest movie (pre-Silence), the Coen Brothers deliver their bleakest effort (pre-A Serious Man) with No Country For Old Men, pitting an opportunistic hunter Josh Brolin and a pragmatic sheriff Tommy Lee Jones against human Terminator Javier Bardem. Audiences, however, are torn between two threequels that fail to live up to the originals, as Jack Sparrow and Spider-Man face off. Is At World's End a better Pirates movie than it gets cre...
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In the wake of Martin Scorsese getting nominated for his bleakest movie (pre-Silence), the Coen Brothers deliver their bleakest effort (pre-A Serious Man) with No Country For Old Men, pitting an opportunistic hunter Josh Brolin and a pragmatic sheriff Tommy Lee Jones against human Terminator Javier Bardem. Audiences, however, are torn between two threequels that fail to live up to the originals, as Jack Sparrow and Spider-Man face off. Is At World's End a better Pirates movie than it gets cre...
It's 2002, and Hollywood is swinging, be it to all that jazz, or by webs through the city. The Academy, still waiting to see if Lord of the Rings could stick the landing, gave the big prize to musical adaptation Chicago, which managed the singular achievement of blending the gritty realism Hollywood thinks prestige pictures need with the glitzy, showy song and dance numbers musicals thrive on. Meanwhile, only one man could triumph over Frodo, Star Wars, AND the boy wizard in one year...a SPID...
Academy Vs Audience
In the wake of Martin Scorsese getting nominated for his bleakest movie (pre-Silence), the Coen Brothers deliver their bleakest effort (pre-A Serious Man) with No Country For Old Men, pitting an opportunistic hunter Josh Brolin and a pragmatic sheriff Tommy Lee Jones against human Terminator Javier Bardem. Audiences, however, are torn between two threequels that fail to live up to the originals, as Jack Sparrow and Spider-Man face off. Is At World's End a better Pirates movie than it gets cre...
