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Art Is Not a Thing
Ars Electronica
19 episodes
2 weeks ago
Send us a text In this episode, Hannah Balber talks to German-Iraqi artist Nora Al-Badri about the colonial inscriptions borne by Europe’s cultural heritage. Her work, The Post-truth Museum, reignites seemingly irresolvable debates about restitution. In glitchy deepfakes, the artist puts postcolonial theory in the mouths of former museum directors (rather than institutional discourse), in an attempt to signal where discussions of restitution need to start. Art Is Not a Thing is produced ...
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Arts
Technology,
Society & Culture
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All content for Art Is Not a Thing is the property of Ars Electronica and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Send us a text In this episode, Hannah Balber talks to German-Iraqi artist Nora Al-Badri about the colonial inscriptions borne by Europe’s cultural heritage. Her work, The Post-truth Museum, reignites seemingly irresolvable debates about restitution. In glitchy deepfakes, the artist puts postcolonial theory in the mouths of former museum directors (rather than institutional discourse), in an attempt to signal where discussions of restitution need to start. Art Is Not a Thing is produced ...
Show more...
Arts
Technology,
Society & Culture
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Truth Makers (Part II)
Art Is Not a Thing
27 minutes
1 year ago
Truth Makers (Part II)
Send us a textIn this episode, we discuss how the data sets used in machine learning adopt hegemonic discourse and existing biases and, what’s more, amplify them, and we talk to some of the people out there who are fighting back. Our guest is Angie Abdilla - a palawa woman, founder, and director of Old Ways, New, whose methodology Country Centred Design, utilises Indigenous knowledges in the design of places, experiences, and critical technologies. Resources:Atlas of AI but Kate CrawfordOut o...
Art Is Not a Thing
Send us a text In this episode, Hannah Balber talks to German-Iraqi artist Nora Al-Badri about the colonial inscriptions borne by Europe’s cultural heritage. Her work, The Post-truth Museum, reignites seemingly irresolvable debates about restitution. In glitchy deepfakes, the artist puts postcolonial theory in the mouths of former museum directors (rather than institutional discourse), in an attempt to signal where discussions of restitution need to start. Art Is Not a Thing is produced ...