In this episode of Art of Interference, we explore the medium of wood as a means of rethinking traditional ideas of human and nonhuman being amid a world of planetary emergencies. “People are really more like wood than we might think,” carpenter, artist, and scientist Seri Robinson insists in our conversation. Wood is influenced by the weather, by climate change, and by its proximate environments—and we, as humans have much to learn from it. And in our interview with artist Shinji Turner-Yama...
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In this episode of Art of Interference, we explore the medium of wood as a means of rethinking traditional ideas of human and nonhuman being amid a world of planetary emergencies. “People are really more like wood than we might think,” carpenter, artist, and scientist Seri Robinson insists in our conversation. Wood is influenced by the weather, by climate change, and by its proximate environments—and we, as humans have much to learn from it. And in our interview with artist Shinji Turner-Yama...
“I am working very hard, although this morning... I was terrified to see that there was no fog, not even a wisp of mist: I was prostrate, and could see all my paintings done for, but gradually the fires were lit and the smoke and haze came back.” When Monet wrote this in a letter to his wife in 1900, the term “smog” had not yet been coined. But the artist was certainly describing the eerie beauty of polluted fog. In today’s episode, Tori and Emma speak with artist Kim Abeles about her Smog Co...
Art of Interference
In this episode of Art of Interference, we explore the medium of wood as a means of rethinking traditional ideas of human and nonhuman being amid a world of planetary emergencies. “People are really more like wood than we might think,” carpenter, artist, and scientist Seri Robinson insists in our conversation. Wood is influenced by the weather, by climate change, and by its proximate environments—and we, as humans have much to learn from it. And in our interview with artist Shinji Turner-Yama...
