Time dilation is a funny thing. For many, we understand there’s been a bit of a gap between episodes. For us, however, it’s been mere minutes since our last appearance – but thanks for sticking around nonetheless, as we’re finally back to discuss Hans Zimmer, Christopher Nolan, time, and Interstellar. Join us as we chat all things organs, pianos, space travel, and answer the question of whether Interstellar is Zimmer’s greatest score of all.
Episode notes:
01:51 – Did you miss us?
09:02 - interstellar!
13:55 – Hans Zimmer and Christopher Nolan’s time together
15:35 – The piece of paper and early demos
24:31 – soft soft LOUD
27:07 – The discovery theme, and Interstellar’s organ
38:08 – Woodwinds of Change
39:40 – Chastain’s piano
41:25 – Countermelody of doom
45:22 – The hope theme, loops and DAWs
54:10 – Messages from home
59:48 – The tesseract acts
1:02:40 – Finding Anne Hathaway
1:06:48 – Gravity
1:13:35 – 2001: An Interstellar Odyssey
1:20:48 – The humanity theme
1:32:59 – The sound of silence
1:37:55 – Time
1:42:15 – Maths with Poggo
1:49:45 – Dr Mann kind? No, he’s quite mean
1:53:30 – Try spinning, that’s a good trick
1:59:25 – Nick’s favourite ka-cue
2:00:51 – V for Vinterstellar
2:03:26 – Final thoughts
We love to hear from our listeners – get in touch via Twitter, Instagram, and Facebook, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.
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Time dilation is a funny thing. For many, we understand there’s been a bit of a gap between episodes. For us, however, it’s been mere minutes since our last appearance – but thanks for sticking around nonetheless, as we’re finally back to discuss Hans Zimmer, Christopher Nolan, time, and Interstellar. Join us as we chat all things organs, pianos, space travel, and answer the question of whether Interstellar is Zimmer’s greatest score of all.
Episode notes:
01:51 – Did you miss us?
09:02 - interstellar!
13:55 – Hans Zimmer and Christopher Nolan’s time together
15:35 – The piece of paper and early demos
24:31 – soft soft LOUD
27:07 – The discovery theme, and Interstellar’s organ
38:08 – Woodwinds of Change
39:40 – Chastain’s piano
41:25 – Countermelody of doom
45:22 – The hope theme, loops and DAWs
54:10 – Messages from home
59:48 – The tesseract acts
1:02:40 – Finding Anne Hathaway
1:06:48 – Gravity
1:13:35 – 2001: An Interstellar Odyssey
1:20:48 – The humanity theme
1:32:59 – The sound of silence
1:37:55 – Time
1:42:15 – Maths with Poggo
1:49:45 – Dr Mann kind? No, he’s quite mean
1:53:30 – Try spinning, that’s a good trick
1:59:25 – Nick’s favourite ka-cue
2:00:51 – V for Vinterstellar
2:03:26 – Final thoughts
We love to hear from our listeners – get in touch via Twitter, Instagram, and Facebook, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.
Episode 29: The Film Music of Nick Cave & Warren Ellis
Art of the Score
6 years ago
Episode 29: The Film Music of Nick Cave & Warren Ellis
Episode 29 marks Art of the Score’s first ever live episode, recorded in August at the Melbourne International Film Festival. Exploring the film music of Nick Cave and Warren Ellis (The Proposition, The Assassination of Jesse James by the Coward Robert Ford, and The Road), the live talk also preluded a concert later that week where the Melbourne Symphony Orchestra played Cave and Ellis’s music as arranged by our very own Nicholas Buc. Join us for a very special live episode as we try and find out what makes the film music of Cave and Ellis so good.
Episode notes:
0:54 – A very special live episode
5:27 – The Nick Cave and Warren Ellis sound
6:26 – Alice Wading
7:58 – A band process for film music
10:34 – The Proposition
12:41 – The meat pie western
14:05 – The drone, the voice, the piano
18:05 – Nick’s singing (The Rider)
21:11 – Martha’s Dream
22:55 – The Cave Waltz
26:38 – The Rider Song
29:20 – The Assassination of Jesse James
31:26 – The celeste
35:14 – A Rather Lovely Thing
37:17 – An arresting chord progression
39:45 – The Assassination lullaby
41:54 – Song for Bob
45:14 – The Road
49:35 – The Mother
52:09 – The Far Road
54:49 – The House
58:07 – The ray of hope
59:49 – The Ellis Cave DNA
We love to hear from our listeners – get in touch via Twitter, Instagram, and Facebook, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.
Art of the Score
Time dilation is a funny thing. For many, we understand there’s been a bit of a gap between episodes. For us, however, it’s been mere minutes since our last appearance – but thanks for sticking around nonetheless, as we’re finally back to discuss Hans Zimmer, Christopher Nolan, time, and Interstellar. Join us as we chat all things organs, pianos, space travel, and answer the question of whether Interstellar is Zimmer’s greatest score of all.
Episode notes:
01:51 – Did you miss us?
09:02 - interstellar!
13:55 – Hans Zimmer and Christopher Nolan’s time together
15:35 – The piece of paper and early demos
24:31 – soft soft LOUD
27:07 – The discovery theme, and Interstellar’s organ
38:08 – Woodwinds of Change
39:40 – Chastain’s piano
41:25 – Countermelody of doom
45:22 – The hope theme, loops and DAWs
54:10 – Messages from home
59:48 – The tesseract acts
1:02:40 – Finding Anne Hathaway
1:06:48 – Gravity
1:13:35 – 2001: An Interstellar Odyssey
1:20:48 – The humanity theme
1:32:59 – The sound of silence
1:37:55 – Time
1:42:15 – Maths with Poggo
1:49:45 – Dr Mann kind? No, he’s quite mean
1:53:30 – Try spinning, that’s a good trick
1:59:25 – Nick’s favourite ka-cue
2:00:51 – V for Vinterstellar
2:03:26 – Final thoughts
We love to hear from our listeners – get in touch via Twitter, Instagram, and Facebook, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.
