Whether working in oil, pastel, or encaustic, Robin Thornhill’s atmospheric paintings evoke a sense of stability and peace. Strongly influenced by John Singer Sargent, the tactile quality of her work makes the timeless beauty of the New England landscape substantially present. “There is so much chaos in the world that people forget to look for beauty and goodness,” says Robin. “I want to remind them it’s here – as tangible as the materials I use and as real as I am.” The sublime becomes grounded by the presence of her hand in the work. Best known for her landscapes, Robin’s recent experiments with abstraction are also receiving recognition. In this work, her authorship becomes even more apparent as she utilizes mixed media to develop her exploration of the theme of time.
Robin is a Signature Member of the Pastel Society of America, a juried member of Oil Painters of America and The National Assc. of Women Artists, a member of the Newburyport Art Association, the Experimental Art Group of Rockport, Massachusetts, and the Pastel Society of Colorado.
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Whether working in oil, pastel, or encaustic, Robin Thornhill’s atmospheric paintings evoke a sense of stability and peace. Strongly influenced by John Singer Sargent, the tactile quality of her work makes the timeless beauty of the New England landscape substantially present. “There is so much chaos in the world that people forget to look for beauty and goodness,” says Robin. “I want to remind them it’s here – as tangible as the materials I use and as real as I am.” The sublime becomes grounded by the presence of her hand in the work. Best known for her landscapes, Robin’s recent experiments with abstraction are also receiving recognition. In this work, her authorship becomes even more apparent as she utilizes mixed media to develop her exploration of the theme of time.
Robin is a Signature Member of the Pastel Society of America, a juried member of Oil Painters of America and The National Assc. of Women Artists, a member of the Newburyport Art Association, the Experimental Art Group of Rockport, Massachusetts, and the Pastel Society of Colorado.
"I've been creating 'pictures' ever since I was old enough to grip a crayon and scribble on my parents' living room walls. I was given my first oil set when I was 12 years old that set me on my destined path to becoming a professional artist. After graduating with a Fine Arts degree in drawing and painting, I never looked back. Much of my work is still life driven as it affords me total control of setups and lighting. I like working with 'timeless' objects that give a sense of nostalgia to the viewer.
My still lifes vary in theme from the classical 'old master' set-ups, to the quirkier word play paintings. Titles are important to me as they give the viewer better insight into what I'm trying to convey. Humor also plays out in much of my work and I strive for a narrative that will capture the viewers' attention. My work combines naturalistic detail with quirky offbeat compositions that often juxtapose ordinary objects in ways the viewer doesn't expect". - Barney Levitt
Artists of New England
Whether working in oil, pastel, or encaustic, Robin Thornhill’s atmospheric paintings evoke a sense of stability and peace. Strongly influenced by John Singer Sargent, the tactile quality of her work makes the timeless beauty of the New England landscape substantially present. “There is so much chaos in the world that people forget to look for beauty and goodness,” says Robin. “I want to remind them it’s here – as tangible as the materials I use and as real as I am.” The sublime becomes grounded by the presence of her hand in the work. Best known for her landscapes, Robin’s recent experiments with abstraction are also receiving recognition. In this work, her authorship becomes even more apparent as she utilizes mixed media to develop her exploration of the theme of time.
Robin is a Signature Member of the Pastel Society of America, a juried member of Oil Painters of America and The National Assc. of Women Artists, a member of the Newburyport Art Association, the Experimental Art Group of Rockport, Massachusetts, and the Pastel Society of Colorado.