If you’re an art critic, it helps to feel that something is at stake in what you’re writing about. It sharpens the pencil, so to speak. When reading the criticism of Ben Davis, the feeling of stakes is ever-present—the sense that art and its aims, concerns, and debates are not frivolous but core, nested within the broader sweep of human affairs like a thinking heart. This is why for a long time I’ve considered Ben to be the best, most consistently interesting art critic anywhere. I’ve also ...
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If you’re an art critic, it helps to feel that something is at stake in what you’re writing about. It sharpens the pencil, so to speak. When reading the criticism of Ben Davis, the feeling of stakes is ever-present—the sense that art and its aims, concerns, and debates are not frivolous but core, nested within the broader sweep of human affairs like a thinking heart. This is why for a long time I’ve considered Ben to be the best, most consistently interesting art critic anywhere. I’ve also ...
Futurist Monika Bielskyte on a Protopian Vision for Art
Artwrld
1 hour 15 minutes
10 months ago
Futurist Monika Bielskyte on a Protopian Vision for Art
Monika Bielskyte is a visionary futurist and speculative designer whose work transcends traditional boundaries of art, technology, and social theory. As the founder of Protopia Futures, she challenges conventional dystopian and utopian narratives, offering a framework for imagining inclusive, dynamic futures that embrace plurality and regenerative action. Born in the Soviet Union and raised in Lithuania, Bielskyte's nomadic explorations across over 100 countries have informed her unique pers...
Artwrld
If you’re an art critic, it helps to feel that something is at stake in what you’re writing about. It sharpens the pencil, so to speak. When reading the criticism of Ben Davis, the feeling of stakes is ever-present—the sense that art and its aims, concerns, and debates are not frivolous but core, nested within the broader sweep of human affairs like a thinking heart. This is why for a long time I’ve considered Ben to be the best, most consistently interesting art critic anywhere. I’ve also ...
