If you’re an art critic, it helps to feel that something is at stake in what you’re writing about. It sharpens the pencil, so to speak. When reading the criticism of Ben Davis, the feeling of stakes is ever-present—the sense that art and its aims, concerns, and debates are not frivolous but core, nested within the broader sweep of human affairs like a thinking heart. This is why for a long time I’ve considered Ben to be the best, most consistently interesting art critic anywhere. I’ve also ...
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If you’re an art critic, it helps to feel that something is at stake in what you’re writing about. It sharpens the pencil, so to speak. When reading the criticism of Ben Davis, the feeling of stakes is ever-present—the sense that art and its aims, concerns, and debates are not frivolous but core, nested within the broader sweep of human affairs like a thinking heart. This is why for a long time I’ve considered Ben to be the best, most consistently interesting art critic anywhere. I’ve also ...
Google DeepMind's Matthieu Lorrain on the 'Liquid' Future of Art
Artwrld
53 minutes
1 year ago
Google DeepMind's Matthieu Lorrain on the 'Liquid' Future of Art
Matthieu Lorrain is a creative and technology pioneer in the fields of digital experiences & content innovation. He is currently Creative Lead, AI & Creativity Research at Google DeepMind. He is also the co-founder of fAke Artists, a creative collective exploring the future of post-reality experiences. Matthieu Lorrain has a long history working with recognized artists and global organizations to reimagine interactive storytelling. He has been exploring creative applications of emer...
Artwrld
If you’re an art critic, it helps to feel that something is at stake in what you’re writing about. It sharpens the pencil, so to speak. When reading the criticism of Ben Davis, the feeling of stakes is ever-present—the sense that art and its aims, concerns, and debates are not frivolous but core, nested within the broader sweep of human affairs like a thinking heart. This is why for a long time I’ve considered Ben to be the best, most consistently interesting art critic anywhere. I’ve also ...
