If you’re an art critic, it helps to feel that something is at stake in what you’re writing about. It sharpens the pencil, so to speak. When reading the criticism of Ben Davis, the feeling of stakes is ever-present—the sense that art and its aims, concerns, and debates are not frivolous but core, nested within the broader sweep of human affairs like a thinking heart. This is why for a long time I’ve considered Ben to be the best, most consistently interesting art critic anywhere. I’ve also ...
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If you’re an art critic, it helps to feel that something is at stake in what you’re writing about. It sharpens the pencil, so to speak. When reading the criticism of Ben Davis, the feeling of stakes is ever-present—the sense that art and its aims, concerns, and debates are not frivolous but core, nested within the broader sweep of human affairs like a thinking heart. This is why for a long time I’ve considered Ben to be the best, most consistently interesting art critic anywhere. I’ve also ...
NEW INC'S Salome Asega on Incubating Tomorrow's Art x Tech Superstars
Artwrld
55 minutes
9 months ago
NEW INC'S Salome Asega on Incubating Tomorrow's Art x Tech Superstars
With AI, blockchain, and augmented reality gradually but inexorably changing the nature of creative work, there has probably never been a time when planning one’s artistic career path has been more fraught with uncertainty. In a tough art market, old strategies are starting to look shopworn. Novel approaches are emerging, from reimagining the studio as a startup, as Holly Herndon and Mat Dryhurst have done with Spawning, to taking on venture capital as an alternative to working with gal...
Artwrld
If you’re an art critic, it helps to feel that something is at stake in what you’re writing about. It sharpens the pencil, so to speak. When reading the criticism of Ben Davis, the feeling of stakes is ever-present—the sense that art and its aims, concerns, and debates are not frivolous but core, nested within the broader sweep of human affairs like a thinking heart. This is why for a long time I’ve considered Ben to be the best, most consistently interesting art critic anywhere. I’ve also ...
