If you’re an art critic, it helps to feel that something is at stake in what you’re writing about. It sharpens the pencil, so to speak. When reading the criticism of Ben Davis, the feeling of stakes is ever-present—the sense that art and its aims, concerns, and debates are not frivolous but core, nested within the broader sweep of human affairs like a thinking heart. This is why for a long time I’ve considered Ben to be the best, most consistently interesting art critic anywhere. I’ve also ...
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If you’re an art critic, it helps to feel that something is at stake in what you’re writing about. It sharpens the pencil, so to speak. When reading the criticism of Ben Davis, the feeling of stakes is ever-present—the sense that art and its aims, concerns, and debates are not frivolous but core, nested within the broader sweep of human affairs like a thinking heart. This is why for a long time I’ve considered Ben to be the best, most consistently interesting art critic anywhere. I’ve also ...
Tom Emrich on How to Prepare for an Augmented Art World
Artwrld
1 hour 13 minutes
9 months ago
Tom Emrich on How to Prepare for an Augmented Art World
Back in 2014, after Google Glass was released, the tech journalist and entrepreneur Tom Emrich wore that notoriously before-its-time AR device for nearly a year, trying to find ways to integrate it into his life. One day, a man who saw him sporting the wearable at a Tim Hortons in Toronto called him "the man from the future." Now, after a decade-long run in the mixed-reality field that involved selling a startup to Niantic and then leading AR product management there, Tom remains a man ...
Artwrld
If you’re an art critic, it helps to feel that something is at stake in what you’re writing about. It sharpens the pencil, so to speak. When reading the criticism of Ben Davis, the feeling of stakes is ever-present—the sense that art and its aims, concerns, and debates are not frivolous but core, nested within the broader sweep of human affairs like a thinking heart. This is why for a long time I’ve considered Ben to be the best, most consistently interesting art critic anywhere. I’ve also ...
