Early ’60s Fender Telecasters are legendary, but what really changed between 1959 and 1964? From rosewood “slab boards” and “veneers” to pickguard and hardware tweaks, we break down the details that shaped the classic early-’60s Tele look and sound. We’ll also highlight the famous players who made these Teles iconic, from country twang masters to R&B pioneers, and explore why 1961–1964 Telecasters are relatively rare compared to other Pre-CBS years. Support the show
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Early ’60s Fender Telecasters are legendary, but what really changed between 1959 and 1964? From rosewood “slab boards” and “veneers” to pickguard and hardware tweaks, we break down the details that shaped the classic early-’60s Tele look and sound. We’ll also highlight the famous players who made these Teles iconic, from country twang masters to R&B pioneers, and explore why 1961–1964 Telecasters are relatively rare compared to other Pre-CBS years. Support the show
Albert Lee is one of the most inventive B-bender players in history. Today we look at Albert’s gear, his trademark Telecaster tone, and the 4 basic shapes he uses to create many of those flowing, pedal steel–like lines. To bring it to life, I’ll play and break down examples from: 1. C’est La Vie – Emmylou Harris 2. Don’t Cheat in Our Hometown – Ricky Skaggs 3. Pancho & Lefty – Emmylou Harris https://open.spotify.com/playlist/1gIMx3pi0NDsRcpQyLHRVd?si=98903f5149c54997 To Support the Cha...
Ask Zac
Early ’60s Fender Telecasters are legendary, but what really changed between 1959 and 1964? From rosewood “slab boards” and “veneers” to pickguard and hardware tweaks, we break down the details that shaped the classic early-’60s Tele look and sound. We’ll also highlight the famous players who made these Teles iconic, from country twang masters to R&B pioneers, and explore why 1961–1964 Telecasters are relatively rare compared to other Pre-CBS years. Support the show
