We’re living through a moment where late night jokes are next-day news, and each opening monologue feels like a litmus test for our freedom of expression. But is this dynamic anything new? This week, comedian Dean Obeidallah and writer Kliph Nesteroff join Kamau to reflect on the history—and present state—of censorship in comedy, and what makes this moment more than a callback.
This episode was recorded on Monday, November 10, in the lead-up to the New York Arab American Comedy Festival, which Dean co-founded more than two decades ago. Kliph’s insights are drawn from research that he conducted for his book Outrageous: A History of Showbiz and the Culture Wars.
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We’re living through a moment where late night jokes are next-day news, and each opening monologue feels like a litmus test for our freedom of expression. But is this dynamic anything new? This week, comedian Dean Obeidallah and writer Kliph Nesteroff join Kamau to reflect on the history—and present state—of censorship in comedy, and what makes this moment more than a callback.
This episode was recorded on Monday, November 10, in the lead-up to the New York Arab American Comedy Festival, which Dean co-founded more than two decades ago. Kliph’s insights are drawn from research that he conducted for his book Outrageous: A History of Showbiz and the Culture Wars.
The Journalist Who Spent More Than 100 Days in ICE Detention
At Liberty
56 minutes 31 seconds
1 month ago
The Journalist Who Spent More Than 100 Days in ICE Detention
This summer, Emmy Award-winning journalist Mario Guevara was covering a protest near Atlanta when local law enforcement arrested him. Then, ICE detained him. For more than 100 days, the agency refused his release, citing his reporting as dangerous. And on October 3rd, after more than 20 years of living in the United States, he was deported to El Salvador.
This week, the ACLU’s Scarlet Kim, who served on Guevara's legal team, joins Kamau to discuss his case and why it should sound alarm bells for us all. Then, the ACLU’s Jessica Herman Weitz drops in to discuss another Emmy Award winner in the headlines for free speech repression: Jimmy Kimmel.
You can check out the Kimmel letter here:
https://www.aclu.org/defend-free-speech-letter-kimmel
And add your name to an open letter in support of free speech here:
https://action.aclu.org/petition/defend-free-speech-all-condemn-governments-censorship-jimmy-kimmel
At Liberty is a production of the ACLU. For the ACLU, our senior executive producer is Sam Riddell, our executive producer is Jessica Herman Weitz, and our intern is Madhvi Khianra. W. Kamau Bell and Melissa Hudson Bell, PhD are executive producers for Who Knows Best Productions. At Liberty is produced and edited by Erica Getto and Myrriah Gossett for Good Get. This episode was recorded at Skyline Studios in Oakland, CA.
At Liberty
We’re living through a moment where late night jokes are next-day news, and each opening monologue feels like a litmus test for our freedom of expression. But is this dynamic anything new? This week, comedian Dean Obeidallah and writer Kliph Nesteroff join Kamau to reflect on the history—and present state—of censorship in comedy, and what makes this moment more than a callback.
This episode was recorded on Monday, November 10, in the lead-up to the New York Arab American Comedy Festival, which Dean co-founded more than two decades ago. Kliph’s insights are drawn from research that he conducted for his book Outrageous: A History of Showbiz and the Culture Wars.
