We’re living through a moment where late night jokes are next-day news, and each opening monologue feels like a litmus test for our freedom of expression. But is this dynamic anything new? This week, comedian Dean Obeidallah and writer Kliph Nesteroff join Kamau to reflect on the history—and present state—of censorship in comedy, and what makes this moment more than a callback.
This episode was recorded on Monday, November 10, in the lead-up to the New York Arab American Comedy Festival, which Dean co-founded more than two decades ago. Kliph’s insights are drawn from research that he conducted for his book Outrageous: A History of Showbiz and the Culture Wars.
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We’re living through a moment where late night jokes are next-day news, and each opening monologue feels like a litmus test for our freedom of expression. But is this dynamic anything new? This week, comedian Dean Obeidallah and writer Kliph Nesteroff join Kamau to reflect on the history—and present state—of censorship in comedy, and what makes this moment more than a callback.
This episode was recorded on Monday, November 10, in the lead-up to the New York Arab American Comedy Festival, which Dean co-founded more than two decades ago. Kliph’s insights are drawn from research that he conducted for his book Outrageous: A History of Showbiz and the Culture Wars.
This past weekend, an estimated 5 million folks across the country protested Trump's attack on our rights. And if you asked anyone in the crowd why they showed up—and who they showed up for—they’d likely have an answer. Today, W. Kamau Bell is joined by three activists—Ash Lazarus Orr and Stephen and Hobbes Chukumba—who are showing up for LGBTQIA+ rights. Listen in as they discuss how they’re navigating Trump’s escalating abuses of power, what trans rights have to do with reproductive and racial justice, and how they’re finding joy this Pride month.
A note from the At Liberty team: just after recording this episode, we received a ruling on U.S. v. Skrmetti. You can learn more about the decision, and the latest on Orr v. Trump, at aclu.org:
https://www.aclu.org/press-releases/transgender-us-passport-holders-granted-temporary-relief-in-challenge-to-trump-gender-marker-policy
https://www.aclu.org/press-releases/aclu-lambda-legal-respond-to-supreme-court-ruling-in-u-s-v-skrmetti
This episode was executive produced by Jessica Herman Weitz for the ACLU, and W. Kamau Bell, Kelly Rafferty, PhD, and Melissa Hudson Bell, PhD for Who Knows Best Productions. It was recorded at Skyline Studios in Oakland, CA. Our senior executive producer is Sam Riddell.
At Liberty is edited and produced by Erica Getto and Myrriah Gossett for Good Get.
At Liberty
We’re living through a moment where late night jokes are next-day news, and each opening monologue feels like a litmus test for our freedom of expression. But is this dynamic anything new? This week, comedian Dean Obeidallah and writer Kliph Nesteroff join Kamau to reflect on the history—and present state—of censorship in comedy, and what makes this moment more than a callback.
This episode was recorded on Monday, November 10, in the lead-up to the New York Arab American Comedy Festival, which Dean co-founded more than two decades ago. Kliph’s insights are drawn from research that he conducted for his book Outrageous: A History of Showbiz and the Culture Wars.
