It’s been a minute since I last served up a batch of raw breakbeats, but the energy at this year’s IBE event in Holland lit that fire again. A Side Breaks Vol. 2 is a tribute to the global dance community — a selection of B-boy and B-girl–friendly breaks, crafted for cyphers, sessions, battles, and anyone who lives for that moment when the beat drops and your body just moves.
For those who don’t know: B-boy/B-girl breaks are the foundation of breakin’ culture. They’re the drum-heavy, groove-driven sections of funk, soul, and rare groove records that DJs isolate, loop, and extend to create that high-energy pocket dancers feed off. These breaks drive footwork, freezes, power moves, and flow — they’re the heartbeat of the dance.
With Vol. 2, I dug back into some older nuggets, revisiting sounds that shaped generations of breakers. And trust, there’s much more on the way — deeper cuts, fresh flips, and more gems for the floor.
Let’s get back to the essence.
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It’s been a minute since I last served up a batch of raw breakbeats, but the energy at this year’s IBE event in Holland lit that fire again. A Side Breaks Vol. 2 is a tribute to the global dance community — a selection of B-boy and B-girl–friendly breaks, crafted for cyphers, sessions, battles, and anyone who lives for that moment when the beat drops and your body just moves.
For those who don’t know: B-boy/B-girl breaks are the foundation of breakin’ culture. They’re the drum-heavy, groove-driven sections of funk, soul, and rare groove records that DJs isolate, loop, and extend to create that high-energy pocket dancers feed off. These breaks drive footwork, freezes, power moves, and flow — they’re the heartbeat of the dance.
With Vol. 2, I dug back into some older nuggets, revisiting sounds that shaped generations of breakers. And trust, there’s much more on the way — deeper cuts, fresh flips, and more gems for the floor.
Let’s get back to the essence.
Redman’s “Superman Lover” series is one of hip hop’s most creative and long-running narrative tracks. Debuting on his 1992 album Whut? Thee Album, the first installment introduced listeners to Redman’s hilarious, funk-laced alter ego inspired by Johnny "Guitar" Watson’s original. Each sequel, spanning multiple albums including Dare Iz a Darkside and Doc’s da Name 2000, continues the absurd, comic book-style saga with outrageous storytelling, humor, and gritty East Coast funk. The series became a cult favorite among fans for blending fantasy, satire, and sharp lyricism. Redman’s animated delivery and clever plot twists made each entry a standout moment on his albums. The beat featured - “Ill Bomb” by LL Cool J, produced by DJ Scratch, was released in the year 2000. It appeared on the Def Jam: Survival of the Illest compilation and also as a bonus track on LL Cool J's album "G.O.A.T. (Greatest of All Time)", which dropped on September 12, 2000. The track is known for its raw, boom-bap production and LL’s commanding delivery, marking a return to his hardcore roots.
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It’s been a minute since I last served up a batch of raw breakbeats, but the energy at this year’s IBE event in Holland lit that fire again. A Side Breaks Vol. 2 is a tribute to the global dance community — a selection of B-boy and B-girl–friendly breaks, crafted for cyphers, sessions, battles, and anyone who lives for that moment when the beat drops and your body just moves.
For those who don’t know: B-boy/B-girl breaks are the foundation of breakin’ culture. They’re the drum-heavy, groove-driven sections of funk, soul, and rare groove records that DJs isolate, loop, and extend to create that high-energy pocket dancers feed off. These breaks drive footwork, freezes, power moves, and flow — they’re the heartbeat of the dance.
With Vol. 2, I dug back into some older nuggets, revisiting sounds that shaped generations of breakers. And trust, there’s much more on the way — deeper cuts, fresh flips, and more gems for the floor.
Let’s get back to the essence.
