It’s been a minute since I last served up a batch of raw breakbeats, but the energy at this year’s IBE event in Holland lit that fire again. A Side Breaks Vol. 2 is a tribute to the global dance community — a selection of B-boy and B-girl–friendly breaks, crafted for cyphers, sessions, battles, and anyone who lives for that moment when the beat drops and your body just moves.
For those who don’t know: B-boy/B-girl breaks are the foundation of breakin’ culture. They’re the drum-heavy, groove-driven sections of funk, soul, and rare groove records that DJs isolate, loop, and extend to create that high-energy pocket dancers feed off. These breaks drive footwork, freezes, power moves, and flow — they’re the heartbeat of the dance.
With Vol. 2, I dug back into some older nuggets, revisiting sounds that shaped generations of breakers. And trust, there’s much more on the way — deeper cuts, fresh flips, and more gems for the floor.
Let’s get back to the essence.
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It’s been a minute since I last served up a batch of raw breakbeats, but the energy at this year’s IBE event in Holland lit that fire again. A Side Breaks Vol. 2 is a tribute to the global dance community — a selection of B-boy and B-girl–friendly breaks, crafted for cyphers, sessions, battles, and anyone who lives for that moment when the beat drops and your body just moves.
For those who don’t know: B-boy/B-girl breaks are the foundation of breakin’ culture. They’re the drum-heavy, groove-driven sections of funk, soul, and rare groove records that DJs isolate, loop, and extend to create that high-energy pocket dancers feed off. These breaks drive footwork, freezes, power moves, and flow — they’re the heartbeat of the dance.
With Vol. 2, I dug back into some older nuggets, revisiting sounds that shaped generations of breakers. And trust, there’s much more on the way — deeper cuts, fresh flips, and more gems for the floor.
Let’s get back to the essence.
The latest chapter in DJ Azuhl’s acclaimed Lofi Escapism series takes a fresh turn. Moving away from the ambient, introspective tones of the previous volume, this installment dives deep into classic boom bap territory—crisp drums, soulful chops, and gritty loops crafted to nod heads and stir nostalgia.
Escapism Vol. 8 is a sonic journal for beat lovers and crate diggers—a heartfelt tribute to golden-era hip hop, elevated by Azuhl’s unmistakable warmth and groove. Layered, dusty, and laced with subtle turntable magic, each track brings movement and mood in equal measure.
This one’s for the beat heads.
Azuhl
It’s been a minute since I last served up a batch of raw breakbeats, but the energy at this year’s IBE event in Holland lit that fire again. A Side Breaks Vol. 2 is a tribute to the global dance community — a selection of B-boy and B-girl–friendly breaks, crafted for cyphers, sessions, battles, and anyone who lives for that moment when the beat drops and your body just moves.
For those who don’t know: B-boy/B-girl breaks are the foundation of breakin’ culture. They’re the drum-heavy, groove-driven sections of funk, soul, and rare groove records that DJs isolate, loop, and extend to create that high-energy pocket dancers feed off. These breaks drive footwork, freezes, power moves, and flow — they’re the heartbeat of the dance.
With Vol. 2, I dug back into some older nuggets, revisiting sounds that shaped generations of breakers. And trust, there’s much more on the way — deeper cuts, fresh flips, and more gems for the floor.
Let’s get back to the essence.
