In this episode of Backwards Beats, Dan and Carl dive into Daddy Yankee’s landmark 2004 album Barrio Fino. Widely credited with bringing reggaetón into the global spotlight, the record features the smash hit Gasolina and helped shape the sound of Latin music for years to come. Dan reflects on the challenges of listening to the full 21-track project as a non-Spanish speaker, the dominance of the soca rhythm throughout, and how the album’s rapid-fire delivery can feel overwhelming. The hosts also contextualize the album within the early 2000s music scene and its lasting cultural impact. Key Points Barrio Fino (2004) established Daddy Yankee as the “King of Reggaetón.” The breakout single Gasolina became an international anthem and a defining track of the genre. Heavy use of the soca rhythm and drum machine programming gives the album a consistent—but sometimes repetitive—feel. Dan discusses how Spanish’s syllable-timed rhythm can make verses feel faster to non-native listeners, comparing it to Eminem’s rapid-fire delivery in Rap God. Legacy: Barrio Fino paved the way for reggaetón’s global dominance and set the stage for Daddy Yankee’s later successes, including Despacito with Luis Fonsi. Music Referenced Rap God by Eminem Godzilla by Eminem Despacito by Luis Fonsi Andy Montañez Don Omar Zion & Lennox Wisin & Yandel Join us next week when we dive deep into SZA's iconic album CTRL.