Home
Categories
EXPLORE
True Crime
Comedy
Society & Culture
Business
History
TV & Film
Technology
About Us
Contact Us
Copyright
© 2024 PodJoint
00:00 / 00:00
Sign in

or

Don't have an account?
Sign up
Forgot password
https://is1-ssl.mzstatic.com/image/thumb/Podcasts125/v4/20/a9/bd/20a9bd28-21e8-46fe-8bc2-e9f66354893d/mza_11482090587805078138.jpg/600x600bb.jpg
Baroque Banter
Pinchgut Opera
34 episodes
1 month ago
Recorded live at the State Library of NSW, this episode of Baroque Banter takes you on a captivating journey into the origins and afterlife of Handel’s Messiah. Ahead of Pinchgut Opera’s upcoming performance of the Original 1742 Dublin Version, Dr Erin Helyard, Artistic Director of Pinchgut Opera and Associate Professor at the University of Sydney, guides us through the rich history, context, and evolution of Handel’s masterpiece. The episode also features a special live performance by mezzo-soprano Ashlyn Tymms, accompanied by Erin on harpsichord. Select Bibliography Donald Burrows, Handel: Messiah (Cambridge Music Handbooks, 1991) Lydia Goehr, The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (Oxford, 1992) Charles King, Every Valley: The Story of Handel’s Messiah (Random House, 2024) Ruth Smith, Charles Jennens: The Man Behind Handel’s Messiah (Handel House Trust, 2012) Ruth Smith, Handel's Oratorios and Eighteenth-Century Thought (Cambridge University Press, 1995)
Show more...
Music
RSS
All content for Baroque Banter is the property of Pinchgut Opera and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Recorded live at the State Library of NSW, this episode of Baroque Banter takes you on a captivating journey into the origins and afterlife of Handel’s Messiah. Ahead of Pinchgut Opera’s upcoming performance of the Original 1742 Dublin Version, Dr Erin Helyard, Artistic Director of Pinchgut Opera and Associate Professor at the University of Sydney, guides us through the rich history, context, and evolution of Handel’s masterpiece. The episode also features a special live performance by mezzo-soprano Ashlyn Tymms, accompanied by Erin on harpsichord. Select Bibliography Donald Burrows, Handel: Messiah (Cambridge Music Handbooks, 1991) Lydia Goehr, The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (Oxford, 1992) Charles King, Every Valley: The Story of Handel’s Messiah (Random House, 2024) Ruth Smith, Charles Jennens: The Man Behind Handel’s Messiah (Handel House Trust, 2012) Ruth Smith, Handel's Oratorios and Eighteenth-Century Thought (Cambridge University Press, 1995)
Show more...
Music
https://i1.sndcdn.com/artworks-wNLMe4sQ3vysyGoz-zkVzFA-t3000x3000.jpg
Baroque Banter: Episode 20 - Pre-performance podcast - Giustino
Baroque Banter
12 minutes 42 seconds
2 years ago
Baroque Banter: Episode 20 - Pre-performance podcast - Giustino
Host Genevieve Lang is joined by Pinchgut's Artistic Director Erin Helyard and director Dean Bryant to discuss the much anticipated Australian premiere of the opera Giustino by Legrenzi. A forgotten triumph of Venetian opera, Giustino is a fast-paced, kaleidoscopic and fanciful opera packed with arias and old-fashioned wonder that will leave you stamping your feet for more. A classic rags-to-riches story of the shepherd Giustino who, through a series of adventures and magical interventions, ultimately becomes the Emperor of Rome. Treacherous journeys on the high seas, siblings embroiled in swashbuckling battles and star-crossed lovers set the scene in Legrenzi’s spectacular operatic setting. After the successes of The Loves of Apollo and Dafne by Cavalli (2021) and Orontea by Cesti (2022), Pinchgut now shines a light on the brilliant composer and grandfather of the da capo aria, Giovanni Legrenzi, who was considered the Puccini of the late 17thcentury. While Legrenzi’s operatic output was small, he was praised for “exceeding the expectations of many in cultivating charm and delight”, and Giustino is one of his great successes. With over 70 short arias, Giustino is a truly dynamic and effervescent opera, showcasing Legrenzi’s ability to spin an unending melodic thread, and convey the nuance, mood and shifts in his characters.
Baroque Banter
Recorded live at the State Library of NSW, this episode of Baroque Banter takes you on a captivating journey into the origins and afterlife of Handel’s Messiah. Ahead of Pinchgut Opera’s upcoming performance of the Original 1742 Dublin Version, Dr Erin Helyard, Artistic Director of Pinchgut Opera and Associate Professor at the University of Sydney, guides us through the rich history, context, and evolution of Handel’s masterpiece. The episode also features a special live performance by mezzo-soprano Ashlyn Tymms, accompanied by Erin on harpsichord. Select Bibliography Donald Burrows, Handel: Messiah (Cambridge Music Handbooks, 1991) Lydia Goehr, The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (Oxford, 1992) Charles King, Every Valley: The Story of Handel’s Messiah (Random House, 2024) Ruth Smith, Charles Jennens: The Man Behind Handel’s Messiah (Handel House Trust, 2012) Ruth Smith, Handel's Oratorios and Eighteenth-Century Thought (Cambridge University Press, 1995)