This week on BEHIND THE LENS, it's all about mysteries thanks to director STEPHEN SHIMEK talking about MURDER AT THE EMBASSY, and writer/director LOTFY NATHAN discussing THE CARPENTER'S SON.
But first, let's take a little trip to Cairo with director STEPHEN SHIMEK and MURDER AT THE EMBASSY.
The second film in the Miranda Greene franchise, this story is fun, and the film is as entertaining as it is beautiful, as it drenches you in the beauty and wonder of Egypt. Set in 1930s Cairo with pyramids and antiquities at the height of Egyptology and archaeology, private detective Miranda Green is called to investigate a suspicious murder inside Cairo's seemingly impenetrable British Embassy when she discovers a second crime has been committed that could spark war across the globe. Everyone within the walls of the embassy is a suspect, but the ultimate evil force is lurking right around the corner.
Directed by STEPHEN SHIMEK and written by Mark Brennan, MURDER AT THE EMBASSY stars Mischa Barton, Mido Hamada, Kojo Attah, Nell Barlow, Raha Rahbari, Antonia Bernath, and Richard Dillane.
Now let's switch gears and talk about another type of mystery with writer/director LOTFY NATHAN and THE CARPENTER'S SON. Not your cut-and-dry faith-based or historical religious film, Lotfy pushes the envelope here as he draws from the apocryphal Infancy Gospel of Thomas for this story. This is a film that has already drawn some ire in the Christian community as it is developed from the apocryphal Infancy Gospel of Thomas about the childhood of Jesus and fills in the New Testament canonical gospels, often clashing with some of those accepted writings. A powerful and fascinating film that is exquisitely made. And did I mention it stars Nic Cage as Jesus' father, the carpenter Joseph?
Written and directed by LOTFY NATHAN, THE CARPENTER'S SON stars Nic Cage as "The Carpenter", Noah Jupe as "The Boy" aka Jesus, and FKA Twigs as "The Mother" aka Mary.
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This week on BEHIND THE LENS, it's all about mysteries thanks to director STEPHEN SHIMEK talking about MURDER AT THE EMBASSY, and writer/director LOTFY NATHAN discussing THE CARPENTER'S SON.
But first, let's take a little trip to Cairo with director STEPHEN SHIMEK and MURDER AT THE EMBASSY.
The second film in the Miranda Greene franchise, this story is fun, and the film is as entertaining as it is beautiful, as it drenches you in the beauty and wonder of Egypt. Set in 1930s Cairo with pyramids and antiquities at the height of Egyptology and archaeology, private detective Miranda Green is called to investigate a suspicious murder inside Cairo's seemingly impenetrable British Embassy when she discovers a second crime has been committed that could spark war across the globe. Everyone within the walls of the embassy is a suspect, but the ultimate evil force is lurking right around the corner.
Directed by STEPHEN SHIMEK and written by Mark Brennan, MURDER AT THE EMBASSY stars Mischa Barton, Mido Hamada, Kojo Attah, Nell Barlow, Raha Rahbari, Antonia Bernath, and Richard Dillane.
Now let's switch gears and talk about another type of mystery with writer/director LOTFY NATHAN and THE CARPENTER'S SON. Not your cut-and-dry faith-based or historical religious film, Lotfy pushes the envelope here as he draws from the apocryphal Infancy Gospel of Thomas for this story. This is a film that has already drawn some ire in the Christian community as it is developed from the apocryphal Infancy Gospel of Thomas about the childhood of Jesus and fills in the New Testament canonical gospels, often clashing with some of those accepted writings. A powerful and fascinating film that is exquisitely made. And did I mention it stars Nic Cage as Jesus' father, the carpenter Joseph?
Written and directed by LOTFY NATHAN, THE CARPENTER'S SON stars Nic Cage as "The Carpenter", Noah Jupe as "The Boy" aka Jesus, and FKA Twigs as "The Mother" aka Mary.
BEHIND THE LENS #481: Featuring Nick Verdi, Daniel J. Clark and Joe Kwaczala
Behind The Lens
1 hour 33 minutes 44 seconds
4 months ago
BEHIND THE LENS #481: Featuring Nick Verdi, Daniel J. Clark and Joe Kwaczala
This week on BEHIND THE LENS, we're taking a look at a new indie film that just released in select theatres and on Eventive VOD on Friday, SWEET RELIEF, with writer/director/editor NICK VERDI. And we'll take one more look at Dances With Films 2025 with the oh-so-funny mockumentary AMERICAN COMIC with director/cinematographer/editor DANIEL J. CLARK and writer/actor JOE KWACZALA. AMERICAN COMIC helped close out the festival last night.
First up, let's turn our lens to SWEET RELIEF. Written and directed, and edited, by NICK VERDI, SWEET RELIEF is a film that starts as a slow burn, gaining momentum as seemingly unrelated characters and storylines begin to interweave until the shocking, explosive climax in this arthouse thriller.
Parents and teachers in a small New England town are in a panic over kids playing SWEET RELIEF, an online murder challenge in which the player must nominate someone they'd like to see die. Three teenagers play the game as a joke, unaware of the dire consequences awaiting them. Meanwhile, Jess and Nathan are a bored, millennial couple struggling to get by. Nathan is annoyed with his mother, and Jess is annoyed with Nathan. Jess's curiosity and boredom lead to a dangerous situation of her own when she meets Gerald, a confidential police informant and perhaps a sadistic child killer.
Switching gears now, let's bid farewell to Dances With Films 2025 with one of its closing night films – the hilarious mockumentary AMERICAN COMIC and my exclusive conversation with director/DP/editor DANIEL J. CLARK and writer and actor JOE KWACZALA, who I had a chance to speak with on Saturday before the world premiere of AMERICAN COMIC debuted last night.
AMERICAN COMIC is a verité-style mockumentary that follows two up-and-coming stand-up comedians, who, despite their superficial "cultural" differences, share remarkable similarities when it comes to egotism, self-destruction, and social ineptitude. As the film satirically pulls back the curtain on the unique subculture of stand-up comedy, self-absorbed competitiveness intensifies, leading to some shocking and unexpected revelations.
Behind The Lens
This week on BEHIND THE LENS, it's all about mysteries thanks to director STEPHEN SHIMEK talking about MURDER AT THE EMBASSY, and writer/director LOTFY NATHAN discussing THE CARPENTER'S SON.
But first, let's take a little trip to Cairo with director STEPHEN SHIMEK and MURDER AT THE EMBASSY.
The second film in the Miranda Greene franchise, this story is fun, and the film is as entertaining as it is beautiful, as it drenches you in the beauty and wonder of Egypt. Set in 1930s Cairo with pyramids and antiquities at the height of Egyptology and archaeology, private detective Miranda Green is called to investigate a suspicious murder inside Cairo's seemingly impenetrable British Embassy when she discovers a second crime has been committed that could spark war across the globe. Everyone within the walls of the embassy is a suspect, but the ultimate evil force is lurking right around the corner.
Directed by STEPHEN SHIMEK and written by Mark Brennan, MURDER AT THE EMBASSY stars Mischa Barton, Mido Hamada, Kojo Attah, Nell Barlow, Raha Rahbari, Antonia Bernath, and Richard Dillane.
Now let's switch gears and talk about another type of mystery with writer/director LOTFY NATHAN and THE CARPENTER'S SON. Not your cut-and-dry faith-based or historical religious film, Lotfy pushes the envelope here as he draws from the apocryphal Infancy Gospel of Thomas for this story. This is a film that has already drawn some ire in the Christian community as it is developed from the apocryphal Infancy Gospel of Thomas about the childhood of Jesus and fills in the New Testament canonical gospels, often clashing with some of those accepted writings. A powerful and fascinating film that is exquisitely made. And did I mention it stars Nic Cage as Jesus' father, the carpenter Joseph?
Written and directed by LOTFY NATHAN, THE CARPENTER'S SON stars Nic Cage as "The Carpenter", Noah Jupe as "The Boy" aka Jesus, and FKA Twigs as "The Mother" aka Mary.