In this Be Your Own Muse exclusive conversation, Dr. Andrea Barnwell Brownlee, Dr. Kirsten Pai Buick, Naima Keith, and Valerie Cassel Oliver (who are each recipients of the Driskell Prize in African American Art and Art History) discuss the artistic legacy and influence of David C. Driskell. They reflect on David’s impact as a mentor, colleague, and confidant and discuss his commitment to “growing the field,” expanding opportunities for African Americans in the arts, and supporting Historically Black Colleges and Universities.
Correction at 3:24: The correct name of the foundation mentioned is the Clara Elizabeth Jackson Carter Foundation.
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In this Be Your Own Muse exclusive conversation, Dr. Andrea Barnwell Brownlee, Dr. Kirsten Pai Buick, Naima Keith, and Valerie Cassel Oliver (who are each recipients of the Driskell Prize in African American Art and Art History) discuss the artistic legacy and influence of David C. Driskell. They reflect on David’s impact as a mentor, colleague, and confidant and discuss his commitment to “growing the field,” expanding opportunities for African Americans in the arts, and supporting Historically Black Colleges and Universities.
Correction at 3:24: The correct name of the foundation mentioned is the Clara Elizabeth Jackson Carter Foundation.
Anne Collins Smith, our Curator of Collections, discusses how she approached organizing “Presence: Meditations on the Spelman College Collection" and details the College's history of collecting and prioritizing art.
In addition, Collins Smith shares with us a few pivotal moments and decisions she has made in her career as a lifelong learner, curator, caretaker, instigator, conjure woman, and advocate of artistic engagement.
“Presence: Meditations on the Spelman College Collection" is presented alongside "Amy Sherald," and is on view through May 18, 2019.
BeYourOwnMuse
In this Be Your Own Muse exclusive conversation, Dr. Andrea Barnwell Brownlee, Dr. Kirsten Pai Buick, Naima Keith, and Valerie Cassel Oliver (who are each recipients of the Driskell Prize in African American Art and Art History) discuss the artistic legacy and influence of David C. Driskell. They reflect on David’s impact as a mentor, colleague, and confidant and discuss his commitment to “growing the field,” expanding opportunities for African Americans in the arts, and supporting Historically Black Colleges and Universities.
Correction at 3:24: The correct name of the foundation mentioned is the Clara Elizabeth Jackson Carter Foundation.
