In this Be Your Own Muse exclusive conversation, Dr. Andrea Barnwell Brownlee, Dr. Kirsten Pai Buick, Naima Keith, and Valerie Cassel Oliver (who are each recipients of the Driskell Prize in African American Art and Art History) discuss the artistic legacy and influence of David C. Driskell. They reflect on David’s impact as a mentor, colleague, and confidant and discuss his commitment to “growing the field,” expanding opportunities for African Americans in the arts, and supporting Historically Black Colleges and Universities.
Correction at 3:24: The correct name of the foundation mentioned is the Clara Elizabeth Jackson Carter Foundation.
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In this Be Your Own Muse exclusive conversation, Dr. Andrea Barnwell Brownlee, Dr. Kirsten Pai Buick, Naima Keith, and Valerie Cassel Oliver (who are each recipients of the Driskell Prize in African American Art and Art History) discuss the artistic legacy and influence of David C. Driskell. They reflect on David’s impact as a mentor, colleague, and confidant and discuss his commitment to “growing the field,” expanding opportunities for African Americans in the arts, and supporting Historically Black Colleges and Universities.
Correction at 3:24: The correct name of the foundation mentioned is the Clara Elizabeth Jackson Carter Foundation.
Dancer and Choreographer T. Lang discusses the original work she created in conversation with our Fall 2018 exhibition, “Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness,” titled “Untitled…Dark Lioness.”
Lang delves into how she interprets Muholi’s work, the influence of travel on her dance language, and the expansion of her dance company, T. Lang Dance, into a non-profit organization.
"Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness" is on view at the Spelman College Museum Fine Art now through December 8, 2018.
BeYourOwnMuse
In this Be Your Own Muse exclusive conversation, Dr. Andrea Barnwell Brownlee, Dr. Kirsten Pai Buick, Naima Keith, and Valerie Cassel Oliver (who are each recipients of the Driskell Prize in African American Art and Art History) discuss the artistic legacy and influence of David C. Driskell. They reflect on David’s impact as a mentor, colleague, and confidant and discuss his commitment to “growing the field,” expanding opportunities for African Americans in the arts, and supporting Historically Black Colleges and Universities.
Correction at 3:24: The correct name of the foundation mentioned is the Clara Elizabeth Jackson Carter Foundation.
