Darryl Pinckney arrived at Columbia University in New York City in the early 1970s and had the opportunity to enroll in Elizabeth Hardwick’s creative writing class at Barnard. It changed his life. When the semester was over, he continued to visit her, and he became close to both Hardwick and Barbara Epstein, Hardwick’s best friend, neighbor, and fellow founder of The New York Review of Books. Pinckney was drawn into a New York literary world where he encountered Susan Sontag, Robert Lowell, and Mary McCarthy, among many others. Yet the intellectual and artistic freedom that Pinckney observed on West 67th Street were in conflict with the demands of his politically minded family and their sense of the unavoidable lessons of black history. Pinckney’s education in Hardwick’s orbit took place amidst the cultural movements then sweeping New York. In addition, through his peers and former classmates—Felice Rosser, Jim Jarmusch, Jean-Michel Basquiat, Lucy Sante, Howard Brookner, and Nan Goldin—Pinckney witnessed the coming together of the New Wave scene in the East Village. He experienced the avant-garde life while discovering the sexual freedom brought by gay liberation. It was his time for hope. In Come Back in September: A Literary Education on West 67th Street, Manhattan (FSG, 2022), Pinckney recalls his introduction to New York and to the writing life. The critic and novelist intimately captures this revolutionary, brilliant, and troubled period in American letters. Elizabeth Hardwick was not only his link to the intellectual heart of New York but also a source of continuous support and of inspiration—in the way she worked, her artistry, and in the beauty of her voice. Through his memories of the city and of Hardwick, we see the emergence and evolution of Pinckney as a writer himself. J.C. Gabel talked with Pinckney last fall to discuss his literary beginnings and the influence of Elizabeth Hardwick and her circle on his life and work.