Choosing Magic

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Bliss and Drumming: The Slow Enlightenment of the Hard Rock Drummer

Bliss and Drumming

44 episodes

7 months ago

CLEMENTINE MOSS "CLEM & CLEARLIGHT" Produced by Clementine Moss and Robert Preston Recorded and Mixed by Robert Preston, GetReel Productions, San Francisco Mastered by JJ Golden, Golden Mastering Copyright 2024 Clementine Published by C. Kingdom Publishing Artwork: Jon Weiss Photography: Gretchen Menn Art Layout: Max Crace *** Hey Sweetheart (Clementine/Gottardo/Marks) Clementine: Vocal/Drums Daniele Gottardo: Guitar Robert Preston: Bass Jimi Marks: Keyboard Bar Broad Blues (Clementine/Gottardo/Marks) Clementine: Vocal/Drums Daniele Gottardo: Guitar Jimi Marks: Keyboard Robert Preston: Bass Coming to Meet the Blues (Clementine/Gottardo/Marks) Clementine: Vocal/Drums Daniele Gottardo: Guitar Jimi Marks: Keyboard Robert Preston: Bass LT Blues (Clementine/Gottardo) Clementine: Vocal/Drums/Synths Daniele Gottardo: Guitar Robert Preston: Bass Restless Night (Clementine/Gottardo) Clementine: Vocal/Drums Daniele Gottardo: Guitar Robert Preston: Bass Bill Cameron: Keyboard I Love You Every Day (Clementine/Gottardo) Clementine: Vocal/Drums/Synths Daniele Gottardo: Guitar Robert Preston: Bass/Backing Vocal Voice of Drum (Clementine/Gottardo/Marks) Clementine: Vocal/Drums Daniele Gottardo: Guitar Jimi Marks: Keyboard Robert Preston: Bass Comes On Anyway (Clementine/Gottardo/Marks) Clementine: Vocal/Drums Daniele Gottardo: Guitar Jimi Marks: Keyboard Robert Preston: Bass No Way We’re Going Home (Clementine/Gottardo/Marks) Clementine: Vocal/Drums Daniele Gottardo: Guitar Jimi Marks: Keyboard Robert Preston: Bass/Backing Vocal

Religion & Spirituality

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Religion & Spirituality

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Choosing Magic

Bliss and Drumming: The Slow Enlightenment of the Hard Rock Drummer

13 minutes 29 seconds

4 years ago

Choosing Magic

From the blog http://www.blissanddrumming.com, Clementine reads this piece. *** A young man started showing up late nights, a sleight of hand artist who would entertain the patrons with card tricks. I’m not sure he was quite 21 years old. He was quiet and pale, with a sweetness to him. His talent was astonishing. The customers would get overwhelmed with his mastery, and they loved it. When I describe tricks he performed, I am an unreliable narrator. My attitude with sleight of hand is of total trust. I want to be fooled. I guess most people watch the magician to catch the tell, to find the flaw and figure out the way the trick works, but I enter a state of complete surrender. I want the magician to succeed and leave me astounded.