In this episode we chart a fresh and deep course for worship (on a Sunday) in post-Christian communities: worship in polyrhythms. There is so much potential for fresh, deep, and biblical creativity in corporate worship. Yet worship leaders often lack a rich understanding of what they are doing. Our guest is professional percussionist Jillana Nickel. Jillana and I play Cuban music, and she teaches me to play the cowbell.
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In this episode we chart a fresh and deep course for worship (on a Sunday) in post-Christian communities: worship in polyrhythms. There is so much potential for fresh, deep, and biblical creativity in corporate worship. Yet worship leaders often lack a rich understanding of what they are doing. Our guest is professional percussionist Jillana Nickel. Jillana and I play Cuban music, and she teaches me to play the cowbell.
The Blues: “How Can a White Musician Play Black American Music?” Guest: Dr Drew Hart
Blue Note Theology
48 minutes 52 seconds
10 months ago
The Blues: “How Can a White Musician Play Black American Music?” Guest: Dr Drew Hart
Mark’s guest, Dr Drew Hart, is an author, scholar and activist. Mark asks Dr Hart what he expects of him, as a White jazz musician who plays Black American Music. Sitting at the piano, Mark shows why the blues sounds like it does. Mark and Drew discuss the origins of the blues and the way the blues is the foundation of almost all contemporary Western music. Can music be a pathway for finding our way home, as a culture in crisis?
Blue Note Theology
In this episode we chart a fresh and deep course for worship (on a Sunday) in post-Christian communities: worship in polyrhythms. There is so much potential for fresh, deep, and biblical creativity in corporate worship. Yet worship leaders often lack a rich understanding of what they are doing. Our guest is professional percussionist Jillana Nickel. Jillana and I play Cuban music, and she teaches me to play the cowbell.
