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Blue Note Theology
Mark Glanville
9 episodes
9 months ago
In this episode we chart a fresh and deep course for worship (on a Sunday) in post-Christian communities: worship in polyrhythms. There is so much potential for fresh, deep, and biblical creativity in corporate worship. Yet worship leaders often lack a rich understanding of what they are doing. Our guest is professional percussionist Jillana Nickel. Jillana and I play Cuban music, and she teaches me to play the cowbell.
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Christianity
Religion & Spirituality
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In this episode we chart a fresh and deep course for worship (on a Sunday) in post-Christian communities: worship in polyrhythms. There is so much potential for fresh, deep, and biblical creativity in corporate worship. Yet worship leaders often lack a rich understanding of what they are doing. Our guest is professional percussionist Jillana Nickel. Jillana and I play Cuban music, and she teaches me to play the cowbell.
Show more...
Christianity
Religion & Spirituality
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Trading Jazz Piano for Graffiti. Reframe Church as: Receiving Jesus’ Love in Your Neighbourhood.
Blue Note Theology
30 minutes 14 seconds
10 months ago
Trading Jazz Piano for Graffiti. Reframe Church as: Receiving Jesus’ Love in Your Neighbourhood.
In this episode we trade jazz piano for graffiti. We ask: “What if we reframed the witness of your church as receiving Jesus’ healing, and extending Jesus’ healing, in your neighbourhood?” In this episode, Mark walks the streets of Canada’s poorest postal-code with philosopher and pastor, Dr Jamie Hellewell. Jamie has been a resident of Vancouver’s Downtown East Side for twenty years.
Blue Note Theology
In this episode we chart a fresh and deep course for worship (on a Sunday) in post-Christian communities: worship in polyrhythms. There is so much potential for fresh, deep, and biblical creativity in corporate worship. Yet worship leaders often lack a rich understanding of what they are doing. Our guest is professional percussionist Jillana Nickel. Jillana and I play Cuban music, and she teaches me to play the cowbell.