In this episode we chart a fresh and deep course for worship (on a Sunday) in post-Christian communities: worship in polyrhythms. There is so much potential for fresh, deep, and biblical creativity in corporate worship. Yet worship leaders often lack a rich understanding of what they are doing. Our guest is professional percussionist Jillana Nickel. Jillana and I play Cuban music, and she teaches me to play the cowbell.
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In this episode we chart a fresh and deep course for worship (on a Sunday) in post-Christian communities: worship in polyrhythms. There is so much potential for fresh, deep, and biblical creativity in corporate worship. Yet worship leaders often lack a rich understanding of what they are doing. Our guest is professional percussionist Jillana Nickel. Jillana and I play Cuban music, and she teaches me to play the cowbell.
The Blue Note Theology podcast offers a fresh vision for the church in post-Christian neighbourhoods. Blue notes in jazz and blues music create tension and some of the deepest creativity is found in that space. In this trailer, meet your host, Mark Glanville, a professional jazz musician, theologian, and author, as he introduces the concept of blue notes in jazz and blues music and sets up for the first season of Blue Note Theology. The first full-length episode launches in early December.
Produced, written, and edited by Mark Glanville
Associate produced by Daniel Melvill Jones
Blue Note Theology
In this episode we chart a fresh and deep course for worship (on a Sunday) in post-Christian communities: worship in polyrhythms. There is so much potential for fresh, deep, and biblical creativity in corporate worship. Yet worship leaders often lack a rich understanding of what they are doing. Our guest is professional percussionist Jillana Nickel. Jillana and I play Cuban music, and she teaches me to play the cowbell.
