This episode features a conversation between Alex Alston, Assistant Professor of Literatures in English at Bryn Mawr College, and Maurice O. Wallace, Professor of English at Rutgers University, New Brunswick, revolving primarily around the presence of nonhuman animals in nineteenth-century Antebellum slave narratives and related literature. The discussants explore the evolution of Frederick Douglass’s rhetoric and thinking around nonhuman animal life throughout his career as an editor, activist, and intellectual. They focus on The Heroic Slave, Douglass’s fictional account of a historical revolt aboard the Creole, wherein the fictional protagonist, Madison Washington, is inspired by birds and a snake to escape bondage. From Douglass’s oeuvre Alston and Wallace think out toward how the narratives of other enslaved persons and Black authors of the 19th century contemplated the condition of nonhuman animals alongside their own in a range of asymmetrical and conflicting ways. Other narratives discussed include those of Mary Prince, Moses Roper, Henry Bibb, and Jacob D. Green. The conversation also delves into relevant and recent criticism on questions of race, gender, species, etc. in 19th century texts. Post-production support by Jess Van Gilder (Georgia Tech). Transcript and bibliography available at https://bit.ly/S09E05Transcript
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This episode features a conversation between Alex Alston, Assistant Professor of Literatures in English at Bryn Mawr College, and Maurice O. Wallace, Professor of English at Rutgers University, New Brunswick, revolving primarily around the presence of nonhuman animals in nineteenth-century Antebellum slave narratives and related literature. The discussants explore the evolution of Frederick Douglass’s rhetoric and thinking around nonhuman animal life throughout his career as an editor, activist, and intellectual. They focus on The Heroic Slave, Douglass’s fictional account of a historical revolt aboard the Creole, wherein the fictional protagonist, Madison Washington, is inspired by birds and a snake to escape bondage. From Douglass’s oeuvre Alston and Wallace think out toward how the narratives of other enslaved persons and Black authors of the 19th century contemplated the condition of nonhuman animals alongside their own in a range of asymmetrical and conflicting ways. Other narratives discussed include those of Mary Prince, Moses Roper, Henry Bibb, and Jacob D. Green. The conversation also delves into relevant and recent criticism on questions of race, gender, species, etc. in 19th century texts. Post-production support by Jess Van Gilder (Georgia Tech). Transcript and bibliography available at https://bit.ly/S09E05Transcript
“The Time and Place of Performance” looks at the vast circuits of nineteenth-century performance. Amy Huang (Bates College) and Kellen Hoxworth (University at Buffalo, SUNY) consider how nineteenth-century performances move backward and forward, citing past moments, and themselves undergoing processes of recycling and re-presentation to move into the future and challenge the framework of the nation-state. This conversation explores the transoceanic circuits of plays and artists (such as Ira Aldridge and Rose Quong) and the unexpected connections between blackface and yellowface performance to consider how and whether it might be important to teach nineteenth-century theatre and performance. Although Huang and Hoxworth both find some of this theatre “bad,” they discuss how we might teach these plays and performances in ways that do not depend on shoring up these works’ exemplariness or exceptionality. How might we stay with the “bad,” the partial, and the minor moments of theatre and performance history? Full transcript available at https://bit.ly/S08E02Transcript.
C19: America in the 19th Century
This episode features a conversation between Alex Alston, Assistant Professor of Literatures in English at Bryn Mawr College, and Maurice O. Wallace, Professor of English at Rutgers University, New Brunswick, revolving primarily around the presence of nonhuman animals in nineteenth-century Antebellum slave narratives and related literature. The discussants explore the evolution of Frederick Douglass’s rhetoric and thinking around nonhuman animal life throughout his career as an editor, activist, and intellectual. They focus on The Heroic Slave, Douglass’s fictional account of a historical revolt aboard the Creole, wherein the fictional protagonist, Madison Washington, is inspired by birds and a snake to escape bondage. From Douglass’s oeuvre Alston and Wallace think out toward how the narratives of other enslaved persons and Black authors of the 19th century contemplated the condition of nonhuman animals alongside their own in a range of asymmetrical and conflicting ways. Other narratives discussed include those of Mary Prince, Moses Roper, Henry Bibb, and Jacob D. Green. The conversation also delves into relevant and recent criticism on questions of race, gender, species, etc. in 19th century texts. Post-production support by Jess Van Gilder (Georgia Tech). Transcript and bibliography available at https://bit.ly/S09E05Transcript
