Alex Cox is a longtime filmmaker with a deserved cult fanbase thanks to REPO MAN, SID & NANCY, STRAIGHT TO HELL and WALKER, and has continued to make low budget films ever since, including his 1991 film EL PATRULLERO (HIGHWAY PATROLMAN), currently in re-release in theaters.
All content for Cinemad is the property of Cinemad and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Alex Cox is a longtime filmmaker with a deserved cult fanbase thanks to REPO MAN, SID & NANCY, STRAIGHT TO HELL and WALKER, and has continued to make low budget films ever since, including his 1991 film EL PATRULLERO (HIGHWAY PATROLMAN), currently in re-release in theaters.
Recorded in April, we catch up with Sam Green right after his first performance of THE LOVE SONG OF R. BUCKMINSTER FULLER at the San Francisco Int'l Film Festival. Now (August 2012) Green is about to go on tour with Yo La Tengo to perform the show in other cities. LOVE SONG is an exciting new type of cinema, with the writer/director Green live on stage speaking in front of onscreen stills and videos, as Yo La Tengo is next to him, performing the film's soundtrack. A follow-up, at least in style, to Green's UTOPIA IN FOUR MOVEMENTS from 2010 - we talk about this new pursuit of form for Green as well as his recent short film about Esperanto, THE UNIVERSAL LANGUAGE.
Cinemad
Alex Cox is a longtime filmmaker with a deserved cult fanbase thanks to REPO MAN, SID & NANCY, STRAIGHT TO HELL and WALKER, and has continued to make low budget films ever since, including his 1991 film EL PATRULLERO (HIGHWAY PATROLMAN), currently in re-release in theaters.
