Roger Deakins is the greatest cinematographer who’s ever lived. That’s not hyperbole. That’s not recency bias. It’s a pretty inarguable fact. Throughout a career that ranges from the docudrama style of Fargo to the poetic imagery of The Assassination of Jesse James by the Coward Robert Ford to the stunning future vision of Blade Runner 2049, Deakins has consistently proven to be a master with light and shadow, conjuring emotion and drilling down character beats with strikingly evocative imagery. His work is diverse but never derivative, distinct yet not repetitive. He’s been nominated for 14 Oscars and has won two. Deakins and his collaborator and wife James Ellis Deakins were gracious enough to sit down with Collider for an extended, exclusive conversation about their working relationship and a few notable films from Deakins’ storied career.

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