Chardine Taylor-Stone (Big Joanie): Discusses Afropunk, Gender Roles in Punk and its Roots as a Working Class Subculture

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Connected Sounds

Come Play With Me

17 episodes

3 months ago

Focussing on conversations with queer musicians and music industry professionals, the first series of Connected Sounds featured Self Esteem, Kindness and producer Tom Aspaul (Kylie, The Sugababes) with guests announced for series two including Shamir, Crawlers, Bored At My Grandmas House and more.

Presented by Drag artist, journalist and radio presenter Alex Gibbon, soundtracked by Leeds DIY stalwart Katie Harkin (HARKIN, Sky Larkin, Sleater Kinney) and with visuals by Luci Pina, the second series of CPWM’s Connected Sounds will take place across seven episodes featuring informal conversations with forteen guests, delving into the intersectionality of queer identity across a wide-range of topics.

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Chardine Taylor-Stone (Big Joanie): Discusses Afropunk, Gender Roles in Punk and its Roots as a Working Class Subculture

Connected Sounds

59 minutes

4 years ago

Chardine Taylor-Stone (Big Joanie): Discusses Afropunk, Gender Roles in Punk and its Roots as a Working Class Subculture

This week's guest on the podcast is Chardine Taylor-Stone from the band Big Joanie. In this episode, she talks about being inspired by the Afropunk documentary, punk's roots as a working class subculture, gender roles in the punk genre and much more...

Big Joanie are a Black feminist punk band whose passionate live shows and punk rock ethos have led to them becoming one of the most talked about bands on the UK live scene. The band formed in the heart of London’s DIY punk scene in 2013 and acts as a space where its members (singer/guitarist Stephanie Phillips, drummer Chardine Taylor-Stone, and bassist Estella Adeyeri) can be completely themselves as black women. Big Joanie released their debut album Sistahs in 2018 to wide critical acclaim on Thurston Moore and Eva Prinz’s label Daydream Library. They have since toured with acts like Bikini Kill, Sleater-Kinney, and Gossip, and are currently working on their second album. Chardine Taylor-Stone is an award-winning cultural producer Black feminist activist and writer. She was featured in The Voice newspaper as one of the Women Who Rocked the World in 2015, Diva Magazine’s LGBT Power List 2016 and Buzzfeed’s ‘The Most Inspiring British LGBT People Of 2016‘. A regular on the Pride Power List, in May 2017 Chardine won the British LGBT Award for ‘Outstanding Contribution to LGBT+ life’. In 2018 she was nominated by Diva Awards for LGBT Activist/Campaigner of the Year and has again been nominated by Diva Awards in 2020 for “Unsung Hero”. A committed trade unionist she is vice-chair of the Musician’s Union Equalities Committee and newly elected member of the London Regional Committee. Chardine is also a newly appointed trustee of London Black Women’s Project, a specialist and dedicated organisation for Black, Asian and Minority Ethnic women and girls who have experienced violence and abuse. Songs featured from Big Joanie ‘Sistahs’ (Daydream Library Series) ©️Copyright and publishing BIG JOANIE administered by Kobalt. Twitter @ChardineTaylor / @Big_Joanie Instagram @chardinetaylorstone / @bigjoanieband Facebook https://www.facebook.com/bigjoanie Our host Maya Kally (she/they) is a genre-free singer-songwriter, composer and multi-instrumentalist with jazz, indie and experimental influence. Maya's music includes, 'Fantastic new talent!’ - Amazing Radio {Another Time}, ‘Divine Single’ - BBC Radio 6 Music {Chose To Stay}, 'Incredible. Deep and intellectual soul-jazz music for modern day's issues.' - Esquire Thailand {We're Waiting}. Twitter - @MayakallyMusic Instagram - @mayakally Facebook - https://www.facebook.com/mayakallymusic/

Podcast Host, Project Manager, and Editor - Maya Kally // Podcast Assistant - Conor Giblin // Artwork by Alysha Takoushian // In association with Come Play With Me Connected Sounds is made thanks to the invaluable support of the Social Enterprise Support Fund, distributed by Unltd, and the government’s Culture Recovery Fund. Thanks also to National Lottery players for making this possible.