During this final episode of the season, Edna Bonhomme spoke with Zoé Samudzi.
This is Edna's last episode with the podcast after which Edna will continue to focus more on writing essays and books. You can get updates about Edna's work from www.ednabonhomme.com, Twitter @jacobinoire, or Substack Newsletter Mobile Fragments https://ednabonhomme.substack.com/
Zoé Samudzi is a writer whose work has appeared in The New Inquiry, Verso, The New Republic, Daily Beast, Art in America, Hyperallergic, and other outlets. She is a contributing writer at Jewish Currents. Along with William C. Anderson, she is the co-author of As Black as Resistance: Finding the Conditions for Liberation (AK Press). Samudzi was a 2017 Public Imagination Fellow at the Yerba Buena Center for the Arts and holds a Ph.D. from the University of California San Francisco.
References
As Black as Resistance: https://www.akpress.org/as-black-as-resistance.html
The Holocaust Analogy: https://www.versobooks.com/blogs/3908-the-holocaust-analogy
Looking After: https://www.artforum.com/slant/zoe-samudzi-on-museums-and-human-remains-86153
The Paradox of Plenty: https://www.artnews.com/art-in-america/features/otobong-nkanga-2-1234583810/
For some info on the Herero and Nama genocide, you can read more about it here: https://www.ushmm.org/collections/bibliography/herero-and-nama-genocide
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During this final episode of the season, Edna Bonhomme spoke with Zoé Samudzi.
This is Edna's last episode with the podcast after which Edna will continue to focus more on writing essays and books. You can get updates about Edna's work from www.ednabonhomme.com, Twitter @jacobinoire, or Substack Newsletter Mobile Fragments https://ednabonhomme.substack.com/
Zoé Samudzi is a writer whose work has appeared in The New Inquiry, Verso, The New Republic, Daily Beast, Art in America, Hyperallergic, and other outlets. She is a contributing writer at Jewish Currents. Along with William C. Anderson, she is the co-author of As Black as Resistance: Finding the Conditions for Liberation (AK Press). Samudzi was a 2017 Public Imagination Fellow at the Yerba Buena Center for the Arts and holds a Ph.D. from the University of California San Francisco.
References
As Black as Resistance: https://www.akpress.org/as-black-as-resistance.html
The Holocaust Analogy: https://www.versobooks.com/blogs/3908-the-holocaust-analogy
Looking After: https://www.artforum.com/slant/zoe-samudzi-on-museums-and-human-remains-86153
The Paradox of Plenty: https://www.artnews.com/art-in-america/features/otobong-nkanga-2-1234583810/
For some info on the Herero and Nama genocide, you can read more about it here: https://www.ushmm.org/collections/bibliography/herero-and-nama-genocide
On a rainy summer day in Berlin-Neukölln Edna Bonhomme, Moritz Gansen and Sara Morais dos Santos Bruss met for a ‘theory conversation’ initiated by Nacre Journal and loosely centered around the theme of its Issue 4, General Public. Planned to be held at a public garden in Rixdorf inspired by the work of the philosopher and educational reformer John Amos Comenius, due to the closure of the garden for maintenance work, the discussion ended up taking place in a nearby beer garden. The conversation was first published as a text here: https://nacre-journal.com/issue-4-general-public/
Decolonization in Action Podcast
During this final episode of the season, Edna Bonhomme spoke with Zoé Samudzi.
This is Edna's last episode with the podcast after which Edna will continue to focus more on writing essays and books. You can get updates about Edna's work from www.ednabonhomme.com, Twitter @jacobinoire, or Substack Newsletter Mobile Fragments https://ednabonhomme.substack.com/
Zoé Samudzi is a writer whose work has appeared in The New Inquiry, Verso, The New Republic, Daily Beast, Art in America, Hyperallergic, and other outlets. She is a contributing writer at Jewish Currents. Along with William C. Anderson, she is the co-author of As Black as Resistance: Finding the Conditions for Liberation (AK Press). Samudzi was a 2017 Public Imagination Fellow at the Yerba Buena Center for the Arts and holds a Ph.D. from the University of California San Francisco.
References
As Black as Resistance: https://www.akpress.org/as-black-as-resistance.html
The Holocaust Analogy: https://www.versobooks.com/blogs/3908-the-holocaust-analogy
Looking After: https://www.artforum.com/slant/zoe-samudzi-on-museums-and-human-remains-86153
The Paradox of Plenty: https://www.artnews.com/art-in-america/features/otobong-nkanga-2-1234583810/
For some info on the Herero and Nama genocide, you can read more about it here: https://www.ushmm.org/collections/bibliography/herero-and-nama-genocide
