Christopher Robin Duncan makes sculpture, ambient sound-based work, and exposure paintings that rely on factory dyed fabrics faded by the power of the sun. Chris talks about how punk and hardcore music shaped his worldview, his belief system and visual language as equivalent, celestial cycles as a tool in his process, making rules only to break them and learning how to get out of his own way, time as a tool and gesture in his artwork, his sonic work as soundtracks to his paintings, Prince versus Bruce Springsteen, a recent collaborative project with NIAD Art Center, an allergy to exceptionalism and the rewards of being generous, and finding joy through the mystery of art.
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Christopher Robin Duncan makes sculpture, ambient sound-based work, and exposure paintings that rely on factory dyed fabrics faded by the power of the sun. Chris talks about how punk and hardcore music shaped his worldview, his belief system and visual language as equivalent, celestial cycles as a tool in his process, making rules only to break them and learning how to get out of his own way, time as a tool and gesture in his artwork, his sonic work as soundtracks to his paintings, Prince versus Bruce Springsteen, a recent collaborative project with NIAD Art Center, an allergy to exceptionalism and the rewards of being generous, and finding joy through the mystery of art.
Rodrigo Valenzuela makes photographs, video and installation-based works that consider the value of labor, the language of modernist architecture, and the inefficiency of bureaucracy. Rodrigo talks about how ideas are born out of his process and making, poetic formalism as a layer in his work, getting out of his own way and second guessing as a healthy thought exercise, reading as a key part of his practice, and how friendships and support systems can strengthen an artist’s work. This episode was organized, facilitated, and recorded by artist Matt Rich.
Deep Color
Christopher Robin Duncan makes sculpture, ambient sound-based work, and exposure paintings that rely on factory dyed fabrics faded by the power of the sun. Chris talks about how punk and hardcore music shaped his worldview, his belief system and visual language as equivalent, celestial cycles as a tool in his process, making rules only to break them and learning how to get out of his own way, time as a tool and gesture in his artwork, his sonic work as soundtracks to his paintings, Prince versus Bruce Springsteen, a recent collaborative project with NIAD Art Center, an allergy to exceptionalism and the rewards of being generous, and finding joy through the mystery of art.
