After a series of podcasts in recent months, the new London-based imprint Ebbs & Flows presents its inaugural release: Owl’s Spectral Shadows. The record feels like an artist and a label meeting on the same wavelength, both drawn to subtle tension and to spaces where rhythm holds its breath. Owl has always had a way of turning minimal means into emotional weight, and this release extends that curiosity into something more cinematic, but never indulgent.
Our premiere, “Infinite Dusk,” is the shadow at the edge of that world. It moves with the patience of fog drifting through an empty dockyard - rhythm suspended in its own breath, melody folded into vapor. The halftime pulse anchors an atmosphere thick with suggestion: faint strings flicker like reflections on water, while metallic cries echo in the distance. It’s a track that lives in the moment before something happens, and lingers there just long enough to make you feel it might.
Infinite Dusk and the rest of the Spectral Shadows EP are coming out on November 27.
https://soundcloud.com/owlfromdeepspace
https://soundcloud.com/ebbsandflows
https://www.instagram.com/pete_owl
https://www.instagram.com/_ebbs_flows
Write up by @gilleswasserman
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After a series of podcasts in recent months, the new London-based imprint Ebbs & Flows presents its inaugural release: Owl’s Spectral Shadows. The record feels like an artist and a label meeting on the same wavelength, both drawn to subtle tension and to spaces where rhythm holds its breath. Owl has always had a way of turning minimal means into emotional weight, and this release extends that curiosity into something more cinematic, but never indulgent.
Our premiere, “Infinite Dusk,” is the shadow at the edge of that world. It moves with the patience of fog drifting through an empty dockyard - rhythm suspended in its own breath, melody folded into vapor. The halftime pulse anchors an atmosphere thick with suggestion: faint strings flicker like reflections on water, while metallic cries echo in the distance. It’s a track that lives in the moment before something happens, and lingers there just long enough to make you feel it might.
Infinite Dusk and the rest of the Spectral Shadows EP are coming out on November 27.
https://soundcloud.com/owlfromdeepspace
https://soundcloud.com/ebbsandflows
https://www.instagram.com/pete_owl
https://www.instagram.com/_ebbs_flows
Write up by @gilleswasserman
Follow us on social media:
https://soundcloud.com/itsdelayed
https://linktr.ee/delayed
https://www.delayed.nyc
https://www.facebook.com/itsdelayed
https://www.instagram.com/_____delayed
https://www.youtube.com/@_____delayed
Contact us:
info@delayed.nyc
Morning sets at Perpendicular have a peculiar gravity. They pull you back from the cosmic edge of the night without quite letting you land. After 037’s slow ignition, Vinna Våldyr took that half-awake crowd and stretched time into something soft yet edgy, cinematic yet tactile. Pads hung like fog over the valley, while pianos and sax sequences drifted through, slightly detuned, as if remembering themselves in real time. The rhythm came and went in gentle tides, dub-laden and patient, never in a rush to declare where it was headed. It was music that trusted silence yet always hinted at motion beneath the surface.
We first entered Vinna’s world through his Simbiosis Festival recording from Seville, a set that felt like discovering a hidden portal in daylight. Hearing him at Perpendicular this year confirmed it: his control of energy is uncanny, like someone painting with both watercolor and graphite at once. The sun filtered through the trees, its pine-scented air wrapping the floor in calm. People swayed or lay still, hammocks swinging at the sides, and the line between listening and dreaming disappeared. It’s rare to find a DJ who can massage your neurons and still make them spark, but Vinna does both with ease.
https://soundcloud.com/vinnavaldyr
https://www.instagram.com/vinna_valdyr/
https://soundcloud.com/espacio-perpendicular
https://www.instagram.com/espacio.perpendicular/
Write up by @gilleswasserman
Follow us on social media:
https://soundcloud.com/itsdelayed
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https://www.delayed.nyc
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https://www.instagram.com/_____delayed
https://www.youtube.com/@_____delayed
Contact us:
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Delayed
After a series of podcasts in recent months, the new London-based imprint Ebbs & Flows presents its inaugural release: Owl’s Spectral Shadows. The record feels like an artist and a label meeting on the same wavelength, both drawn to subtle tension and to spaces where rhythm holds its breath. Owl has always had a way of turning minimal means into emotional weight, and this release extends that curiosity into something more cinematic, but never indulgent.
Our premiere, “Infinite Dusk,” is the shadow at the edge of that world. It moves with the patience of fog drifting through an empty dockyard - rhythm suspended in its own breath, melody folded into vapor. The halftime pulse anchors an atmosphere thick with suggestion: faint strings flicker like reflections on water, while metallic cries echo in the distance. It’s a track that lives in the moment before something happens, and lingers there just long enough to make you feel it might.
Infinite Dusk and the rest of the Spectral Shadows EP are coming out on November 27.
https://soundcloud.com/owlfromdeepspace
https://soundcloud.com/ebbsandflows
https://www.instagram.com/pete_owl
https://www.instagram.com/_ebbs_flows
Write up by @gilleswasserman
Follow us on social media:
https://soundcloud.com/itsdelayed
https://linktr.ee/delayed
https://www.delayed.nyc
https://www.facebook.com/itsdelayed
https://www.instagram.com/_____delayed
https://www.youtube.com/@_____delayed
Contact us:
info@delayed.nyc
