After a series of podcasts in recent months, the new London-based imprint Ebbs & Flows presents its inaugural release: Owl’s Spectral Shadows. The record feels like an artist and a label meeting on the same wavelength, both drawn to subtle tension and to spaces where rhythm holds its breath. Owl has always had a way of turning minimal means into emotional weight, and this release extends that curiosity into something more cinematic, but never indulgent.
Our premiere, “Infinite Dusk,” is the shadow at the edge of that world. It moves with the patience of fog drifting through an empty dockyard - rhythm suspended in its own breath, melody folded into vapor. The halftime pulse anchors an atmosphere thick with suggestion: faint strings flicker like reflections on water, while metallic cries echo in the distance. It’s a track that lives in the moment before something happens, and lingers there just long enough to make you feel it might.
Infinite Dusk and the rest of the Spectral Shadows EP are coming out on November 27.
https://soundcloud.com/owlfromdeepspace
https://soundcloud.com/ebbsandflows
https://www.instagram.com/pete_owl
https://www.instagram.com/_ebbs_flows
Write up by @gilleswasserman
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After a series of podcasts in recent months, the new London-based imprint Ebbs & Flows presents its inaugural release: Owl’s Spectral Shadows. The record feels like an artist and a label meeting on the same wavelength, both drawn to subtle tension and to spaces where rhythm holds its breath. Owl has always had a way of turning minimal means into emotional weight, and this release extends that curiosity into something more cinematic, but never indulgent.
Our premiere, “Infinite Dusk,” is the shadow at the edge of that world. It moves with the patience of fog drifting through an empty dockyard - rhythm suspended in its own breath, melody folded into vapor. The halftime pulse anchors an atmosphere thick with suggestion: faint strings flicker like reflections on water, while metallic cries echo in the distance. It’s a track that lives in the moment before something happens, and lingers there just long enough to make you feel it might.
Infinite Dusk and the rest of the Spectral Shadows EP are coming out on November 27.
https://soundcloud.com/owlfromdeepspace
https://soundcloud.com/ebbsandflows
https://www.instagram.com/pete_owl
https://www.instagram.com/_ebbs_flows
Write up by @gilleswasserman
Follow us on social media:
https://soundcloud.com/itsdelayed
https://linktr.ee/delayed
https://www.delayed.nyc
https://www.facebook.com/itsdelayed
https://www.instagram.com/_____delayed
https://www.youtube.com/@_____delayed
Contact us:
info@delayed.nyc
Music travels faster than ever, yet the connections that shape it still depend on patience. Sense of the Substrate, the new release from our own Griff Fulton under his Aspetuck alias, feels like the result of that slow exchange. Out on Konstrukt, the Nijmegen label that has built its identity around subtle consistency, the kind of releases where artwork, sound, and intention all seem to breathe the same air. Aspetuck’s latest record fits naturally into that lineage. Following his standout LP on Oslated earlier this year, Griff returns with a five-track EP that combines warmth, precision, and patience into a sound that feels unmistakably his own.
The record moves through slower tempos and unforced grooves, where rhythm has room to stretch and melody can take its time to unfold. Our premiere, “Subterranean Rhizome,” sits right in that zone, a track that glows rather than burns. It opens with interlaced percussion and a gentle breakbeat that sets a calm propulsion, gradually joined by flickering chords that rise like light through shallow water. Every element feels hand-shaped, balanced between the tangible and the ethereal. By the time the main riff arrives, you’re already somewhere else entirely, in that rare headspace where the body listens and the mind moves.
Sense of the Substrate arrives November 21 on Konstrukt, available digitally and on vinyl. It’s another chapter in a story that values connection over noise and craft over speed, the kind of record that reminds you why physical formats, and the people behind them, still matter.
@aspetuck
www.instagram.com/aspetuckmusic/
@konstrukt-5
www.instagram.com/konstrukt__
Write up by @gilleswasserman
Follow us on social media:
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linktr.ee/delayed
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Delayed
After a series of podcasts in recent months, the new London-based imprint Ebbs & Flows presents its inaugural release: Owl’s Spectral Shadows. The record feels like an artist and a label meeting on the same wavelength, both drawn to subtle tension and to spaces where rhythm holds its breath. Owl has always had a way of turning minimal means into emotional weight, and this release extends that curiosity into something more cinematic, but never indulgent.
Our premiere, “Infinite Dusk,” is the shadow at the edge of that world. It moves with the patience of fog drifting through an empty dockyard - rhythm suspended in its own breath, melody folded into vapor. The halftime pulse anchors an atmosphere thick with suggestion: faint strings flicker like reflections on water, while metallic cries echo in the distance. It’s a track that lives in the moment before something happens, and lingers there just long enough to make you feel it might.
Infinite Dusk and the rest of the Spectral Shadows EP are coming out on November 27.
https://soundcloud.com/owlfromdeepspace
https://soundcloud.com/ebbsandflows
https://www.instagram.com/pete_owl
https://www.instagram.com/_ebbs_flows
Write up by @gilleswasserman
Follow us on social media:
https://soundcloud.com/itsdelayed
https://linktr.ee/delayed
https://www.delayed.nyc
https://www.facebook.com/itsdelayed
https://www.instagram.com/_____delayed
https://www.youtube.com/@_____delayed
Contact us:
info@delayed.nyc
