Home
Categories
EXPLORE
Comedy
Society & Culture
True Crime
Sports
History
Business
Health & Fitness
About Us
Contact Us
Copyright
© 2024 PodJoint
00:00 / 00:00
Sign in

or

Don't have an account?
Sign up
Forgot password
https://is1-ssl.mzstatic.com/image/thumb/Podcasts211/v4/dd/92/f1/dd92f180-a3e5-00b5-e1b8-c3171e0d9b0a/mza_14041377686598448018.png/600x600bb.jpg
DESIGNERS ON FILM
Jason Tselentis
80 episodes
2 days ago
The 2025 Predator: Badlands movie takes the Predator and Yautja mythology into a new, unforeseen realm. Dek, who's ridiculed, persecuted, and then banished from his family, winds up on a strange planet where he befriends a synthetic organism played by Elle Fanning, known as Thia. She has a punk look with a new wave, futuristic charm. Thia and Dek team up to battle monsters and the greedy, evil Weyland-Yutani Corporation, with Elle playing a second synthetic organism known as Tessa. Susie Glass, makeup designer on Badlands, talks about the concepts behind the characters, early mornings on set, the importance of teamwork, and why caring for the actors is of the utmost importance. - Susie Glass is a New Zealand-born hair and makeup designer based in Auckland who's become known for her versatility and leadership with a portfolio that includes feature films, streaming series, and high-end television. With over 30 years of experience, she's dedicated herself to high-quality storytelling and strong craft skills, meeting a variety of demands across a range of genres and screens. As makeup designer on Predator: Badlands, Susie and her team brought a variety of characters to life, from rough ideas to proof of concept to production, including but not limited to synths Thia and Tessa, portrayed by Elle Fanning. Susie is a three-time New Zealand Film and Television Award winner, and her art, craft, and design reflect a dedication to collaboration and storytelling, and most importantly, an understanding of the unique demands of screen work at the highest levels. https://www.imdb.com/name/nm0322007/ https://www.instagram.com/susiesparkle67/ - Predator: Badlands (2025) https://www.imdb.com/title/tt31227572/ - Predator: Killer of Killers (2025) https://www.imdb.com/title/tt36463894/ - Prey (2022) https://www.emmys.com/shows/prey - Other movies and shows discussed: Alien: Earth A Rainy Day in New York (2019)
Show more...
Design
Arts,
TV & Film,
Film Reviews,
Film History
RSS
All content for DESIGNERS ON FILM is the property of Jason Tselentis and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
The 2025 Predator: Badlands movie takes the Predator and Yautja mythology into a new, unforeseen realm. Dek, who's ridiculed, persecuted, and then banished from his family, winds up on a strange planet where he befriends a synthetic organism played by Elle Fanning, known as Thia. She has a punk look with a new wave, futuristic charm. Thia and Dek team up to battle monsters and the greedy, evil Weyland-Yutani Corporation, with Elle playing a second synthetic organism known as Tessa. Susie Glass, makeup designer on Badlands, talks about the concepts behind the characters, early mornings on set, the importance of teamwork, and why caring for the actors is of the utmost importance. - Susie Glass is a New Zealand-born hair and makeup designer based in Auckland who's become known for her versatility and leadership with a portfolio that includes feature films, streaming series, and high-end television. With over 30 years of experience, she's dedicated herself to high-quality storytelling and strong craft skills, meeting a variety of demands across a range of genres and screens. As makeup designer on Predator: Badlands, Susie and her team brought a variety of characters to life, from rough ideas to proof of concept to production, including but not limited to synths Thia and Tessa, portrayed by Elle Fanning. Susie is a three-time New Zealand Film and Television Award winner, and her art, craft, and design reflect a dedication to collaboration and storytelling, and most importantly, an understanding of the unique demands of screen work at the highest levels. https://www.imdb.com/name/nm0322007/ https://www.instagram.com/susiesparkle67/ - Predator: Badlands (2025) https://www.imdb.com/title/tt31227572/ - Predator: Killer of Killers (2025) https://www.imdb.com/title/tt36463894/ - Prey (2022) https://www.emmys.com/shows/prey - Other movies and shows discussed: Alien: Earth A Rainy Day in New York (2019)
Show more...
Design
Arts,
TV & Film,
Film Reviews,
Film History
https://images.squarespace-cdn.com/content/v1/664fd937f940ef0a63294495/1722292676615-S6XTOC4RK8DU0CZW4393/designers_on_film_2024_aug_ctr.png?format=1500w
The Horse’s Mouth (1958) with Roymieco Carter
DESIGNERS ON FILM
54 minutes 12 seconds
2 months ago
The Horse’s Mouth (1958) with Roymieco Carter
Before Sir Alec Guinness was Obi-Wan Kenobi, he adapted Joyce Cary's book The Horse's Mouth into the 1958 movie. In addition to writing the screenplay, Guinness starred as Gulley Jimson, an artist who is dedicated but snide, talented but demanding, endearing but dishonest. Jimson charms and delights, and nothing will get in the way of his vision. Even worse, he leaves havoc in his wake. Roymieco Carter, who's Associate Professor and Director of the Visual Arts Program at North Carolina A&T State University, discovered the movie when he was a student at Virginia Commonwealth University, and it made a big impact. Carter explains why The Horse's Mouth impacted him at such an early age, and why asking for permission to be an artist or designer isn't necessary, if you want to be something, be it. - Associate Professor and Director of the Visual Arts Program at North Carolina A&T State University, Roymieco Carter teaches graphic design, digital media, visual literacy and theory, and social criticism. Carter has written articles on graphic design education, art education, gaming, human computer interaction, and graphics computer animation. Having studied and worked in fashion art, as well as design and advertising practices, he often draws from his graphic design background for inspiration. His work uses a mixture of digital and hand techniques including collage, calligraphy, drawing, xerography, stenciling and typography. Raised in the tobacco farmlands of Virginia, he draws inspiration from his rural upbringing, and integrates themes of violence, displacement, and oppression into his work, exploring how history is manipulated and rewritten. Holding a BFA in Art and Advertising from Virginia Commonwealth University and an MFA in Graphic Design from Penn State University, Carter's work fuses documented history with cultural narratives and folklore, evoking deep emotional and personal insights. https://cartergallery.wordpress.com/ https://www.linkedin.com/in/roymieco-carter-65a38827/ https://www.ncat.edu/employee-bio.php?directoryID=909381433 https://www.ganttcenter.org/calendar/open-air-steven-cozart-and-roymieco-carter/ - The Horse's Mouth (1958) https://www.imdb.com/title/tt0051739/ https://www.tcm.com/video/223317/horses-mouth-the-1958-the-old-dreadnought - Further Reading https://en.wikipedia.org/wiki/Mihaly_Csikszentmihalyi https://en.wikipedia.org/wiki/No_Church_in_the_Wild https://www.museepicassoparis.fr/en/picassos-childhood - Thirtysomething (1987-1991) https://en.wikipedia.org/wiki/Thirtysomething https://designobserver.com/i-was-a-mad-man/ https://slate.com/news-and-politics/2001/05/miles-drentell-r-i-p.html https://som.yale.edu/blog/memoriam-bill-drenttel - Other movies and shows discussed, alphabetical list Sinners (2025) Taxi Driver (1976)
DESIGNERS ON FILM
The 2025 Predator: Badlands movie takes the Predator and Yautja mythology into a new, unforeseen realm. Dek, who's ridiculed, persecuted, and then banished from his family, winds up on a strange planet where he befriends a synthetic organism played by Elle Fanning, known as Thia. She has a punk look with a new wave, futuristic charm. Thia and Dek team up to battle monsters and the greedy, evil Weyland-Yutani Corporation, with Elle playing a second synthetic organism known as Tessa. Susie Glass, makeup designer on Badlands, talks about the concepts behind the characters, early mornings on set, the importance of teamwork, and why caring for the actors is of the utmost importance. - Susie Glass is a New Zealand-born hair and makeup designer based in Auckland who's become known for her versatility and leadership with a portfolio that includes feature films, streaming series, and high-end television. With over 30 years of experience, she's dedicated herself to high-quality storytelling and strong craft skills, meeting a variety of demands across a range of genres and screens. As makeup designer on Predator: Badlands, Susie and her team brought a variety of characters to life, from rough ideas to proof of concept to production, including but not limited to synths Thia and Tessa, portrayed by Elle Fanning. Susie is a three-time New Zealand Film and Television Award winner, and her art, craft, and design reflect a dedication to collaboration and storytelling, and most importantly, an understanding of the unique demands of screen work at the highest levels. https://www.imdb.com/name/nm0322007/ https://www.instagram.com/susiesparkle67/ - Predator: Badlands (2025) https://www.imdb.com/title/tt31227572/ - Predator: Killer of Killers (2025) https://www.imdb.com/title/tt36463894/ - Prey (2022) https://www.emmys.com/shows/prey - Other movies and shows discussed: Alien: Earth A Rainy Day in New York (2019)