I have a deeply personal post I need to write, but it won't make sense without the context. So I'm going to break it up into multiple parts. They might seem disconnected to begin with.
This is part two. Part one is here.
On the 22nd of September, 1949, Ronaldo Fabri got on a boat, leaving behind a country on the brink of revolution.
Egypt in 1949 was a country with a long history and fresh wounds.
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I have a deeply personal post I need to write, but it won't make sense without the context. So I'm going to break it up into multiple parts. They might seem disconnected to begin with.
This is part two. Part one is here.
On the 22nd of September, 1949, Ronaldo Fabri got on a boat, leaving behind a country on the brink of revolution.
Egypt in 1949 was a country with a long history and fresh wounds.
Soundtrack for this post.
What Satie is teaching me.
Fast and quiet It's very natural to play allegro forte, fast and loud. It's much harder to play allegro piano, fast and quiet. Just because my days are busy, quickly moving from one task to another, that doesn't necessitate stress. It's possible to play quickly and quietly. So I endeavour to move through my day with calm alacrity.
Crossover is inevitable That top note of a right-hand chord is occasionally played on the left.
Digging for Fire
I have a deeply personal post I need to write, but it won't make sense without the context. So I'm going to break it up into multiple parts. They might seem disconnected to begin with.
This is part two. Part one is here.
On the 22nd of September, 1949, Ronaldo Fabri got on a boat, leaving behind a country on the brink of revolution.
Egypt in 1949 was a country with a long history and fresh wounds.
