After their time as philosophy undergrads gorging on cheap wine and bread, co-hosts cosima bee concordia and Aurora Laybourn reunite almost a decade later for Drunk Church, a podcast haunting the liminal spaces between anti-fascist theory and religious eroticism.
Named for a gathering of queers where art, drink, and communion were shared outside of the confines of formal institutions, Drunk Church seeks to transgress, subvert, and blaspheme the religious for our own pleasure and thriving. In a world that feels like it’s ending and with fascism ascendant, how do we to build shared ritual, meaning, and narrative on our own terms? Come get drunk on the blood of God!
Get access to full bonus episodes, an exclusive RSS feed, and more by subscribing our Patreon!Hosted on Acast. See acast.com/privacy for more information.
After their time as philosophy undergrads gorging on cheap wine and bread, co-hosts cosima bee concordia and Aurora Laybourn reunite almost a decade later for Drunk Church, a podcast haunting the liminal spaces between anti-fascist theory and religious eroticism.
Named for a gathering of queers where art, drink, and communion were shared outside of the confines of formal institutions, Drunk Church seeks to transgress, subvert, and blaspheme the religious for our own pleasure and thriving. In a world that feels like it’s ending and with fascism ascendant, how do we to build shared ritual, meaning, and narrative on our own terms? Come get drunk on the blood of God!
Get access to full bonus episodes, an exclusive RSS feed, and more by subscribing our Patreon!Hosted on Acast. See acast.com/privacy for more information.
We’re not like other girls…
Join us for our most recent episode as we offer a critical re-evaluation of the figure of the bimbo and deconstruct societal preconceptions of femininity at large through our own cosima bee concordia’s essay “My Official Bimbo Diagnosis”. With our two remaining brain cells we ponder, why does everyone seem to hate femininity so much, and why it is that femininity is seen as a threat to feminism? We argue (to the degree that bimbos can string ideas together) that femmephobia is in part the result of an aesthetic double bind. This double bind normatively expects us all to perform gender while also punishing or shaming those who perform gender “too much”. The “too much” of gender is dangerous because it wrests us from the pervasive myth that gender is natural. In a patriarchal world where the masculine is the neutral ideal, femininity is always “too much” and thus provides a useful scapegoat to perpetuate misogyny in both men who hate women and feminists alike.
In an effort to challenge these totalizing power dynamics we examine the extent to which it is both possible, and necessary -- albeit not without risk -- to take pleasure in gender even though it is gender that oppresses us. In what ways can we re-purpose the too much of gender? How can the BDSM dungeon as seen through Susan Stryker’s “Dungeon Intimacies” be “a technology for the production of (trans)gendered embodiment”? And finally, could it be that the only gender binary that matters is Gender Minimalism vs. Gender Maximalism?
For discussions on all those questions and more, listen to “Bimbo Theory: A Gender Maximalist Guide to Having It All”
Read "My Official Bimbo Diagnosis" by cosima bee concordia
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Intro and outro song is "Bless You" by the Ink Spots
Get access to full bonus episodes, an exclusive RSS feed, and more by subscribing our Patreon!Hosted on Acast. See acast.com/privacy for more information.