Eliot Bates's "The Social Life of Musical Instruments" explores how musical instruments are more than just tools. The author draws on literary examples, ethnomusicological studies, and personal encounters to argue that instruments have agency and play active roles in social interactions. Bates examines the Turkish saz, illustrating how it mediates social relations, shapes identities, and embodies cultural values. He challenges traditional organology, advocating for a "lived organology" that considers the dynamic relationships between instruments, humans, and the broader socio-historical context. The study draws on actor-network theory and material culture studies to analyze how instruments mobilize communities, negotiate cultural meanings, and participate in social and political processes. Ultimately, the work encourages ethnomusicologists to examine the vibrant lives of musical instruments and their implications for understanding culture, society, and human-object relations.