Emil Amos charts the birth and development of the classic archetype 'The Outsider', telling disturbing and often humiliating stories about growing up in a small town in the 90’s. Every other episode digs into the archaeology of lesser-known music to illuminate the same themes from a more objective, historical perspective.
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Emil Amos charts the birth and development of the classic archetype 'The Outsider', telling disturbing and often humiliating stories about growing up in a small town in the 90’s. Every other episode digs into the archaeology of lesser-known music to illuminate the same themes from a more objective, historical perspective.
Emil has a mid-life crisis... and records it. This episode is a sequel to "The Outsider", the other purely philosophical episode that anchored Drifter's Sympathy into a hardcore existentialist stance. This cast uses the holy trinity of American Country Music, Taoism and the Twilight Zone to illustrate our fruitless attempt to resolve the perpetually unfinished nature of consciousness itself. In the form of a classic Existentialist thesis, 'Four Walls' puts forward that escapism only erodes what integrity and strength we have... and that the only way forward is straight through the murk & confusion directly. At the very least, you'll never hear the song "Hello Walls" the same again... and at the very best, this cast helps demonstrate why Kurtz's last words in 'Heart of Darkness' are "The horror, The horror."
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Emil Amos' Drifter's Sympathy
Emil Amos charts the birth and development of the classic archetype 'The Outsider', telling disturbing and often humiliating stories about growing up in a small town in the 90’s. Every other episode digs into the archaeology of lesser-known music to illuminate the same themes from a more objective, historical perspective.
