2012 was supposedly the end of time in the Mayan Calendar, but instead we had the Olympics and the Queen's Diamond Jubilee. Portuguese Escapee Ricardo Ferreira found himself staying on in London and at the centre of the explosion of Stereo 3D films - creating stereo 3D compositing for Dredd, Wrath of the Titans and even Tim Burton's Frankenweenie in the same year! What was it like being in the middle of the Stereo3D goldrush and how did that lead to later work on Oscar-laden classics like Gravity and Interstellar?