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Essential Guide to Writing a Novel
James Thayer
199 episodes
3 days ago
Sometimes in our story we'll have a scene filled with people where everyone is moving all at once, such as a battle scene or mob scene or festival scene or street scene. Here are techniques on crafting the scene so there's no confusion so readers can focus on the hero. Also, what is the rule of exceptions? And, can something bad happening to us make us better writers? Support the show Buy the master class.
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Education
Fiction,
How To
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All content for Essential Guide to Writing a Novel is the property of James Thayer and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Sometimes in our story we'll have a scene filled with people where everyone is moving all at once, such as a battle scene or mob scene or festival scene or street scene. Here are techniques on crafting the scene so there's no confusion so readers can focus on the hero. Also, what is the rule of exceptions? And, can something bad happening to us make us better writers? Support the show Buy the master class.
Show more...
Education
Fiction,
How To
https://is1-ssl.mzstatic.com/image/thumb/Podcasts211/v4/3f/4c/d1/3f4cd116-060e-eca0-3c56-ef75bf041d4a/mza_481305181888912855.jpg/600x600bb.jpg
Episode 178 - How to make readers laugh.
Essential Guide to Writing a Novel
27 minutes
5 months ago
Episode 178 - How to make readers laugh.
We may be writing a comic novel or we may want to add humor to our thriller or romance or horror or literary novel. Humor adds a strong element to most any story. Joe Pesci as Tommy DeVito in Goodfellas: “Funny how? I mean, funny like I'm a clown? I amuse you? I make you laugh?" Well, yeah. Let's see how we can make readers laugh. Support the show
Essential Guide to Writing a Novel
Sometimes in our story we'll have a scene filled with people where everyone is moving all at once, such as a battle scene or mob scene or festival scene or street scene. Here are techniques on crafting the scene so there's no confusion so readers can focus on the hero. Also, what is the rule of exceptions? And, can something bad happening to us make us better writers? Support the show Buy the master class.