In fiction in all genres only trouble is interesting. How do we writers use trouble in our story? Here are thoughts on how we can plot using conflict, crisis, and resolution, a technique important for all genres. Also, should we use beta readers? And the add-a-quirk technique. Support the show
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In fiction in all genres only trouble is interesting. How do we writers use trouble in our story? Here are thoughts on how we can plot using conflict, crisis, and resolution, a technique important for all genres. Also, should we use beta readers? And the add-a-quirk technique. Support the show
We writers should consider giving readers what they want. Well, what do they want? Here is a discussion of the five things readers want in a novel. Also: the dual timeline plot structure. And F. Scott Fitzgerald's seven tips on writing. Support the show
Essential Guide to Writing a Novel
In fiction in all genres only trouble is interesting. How do we writers use trouble in our story? Here are thoughts on how we can plot using conflict, crisis, and resolution, a technique important for all genres. Also, should we use beta readers? And the add-a-quirk technique. Support the show
