Sometimes in our story we'll have a scene filled with people where everyone is moving all at once, such as a battle scene or mob scene or festival scene or street scene. Here are techniques on crafting the scene so there's no confusion so readers can focus on the hero. Also, what is the rule of exceptions? And, can something bad happening to us make us better writers? Support the show Buy the master class.
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Sometimes in our story we'll have a scene filled with people where everyone is moving all at once, such as a battle scene or mob scene or festival scene or street scene. Here are techniques on crafting the scene so there's no confusion so readers can focus on the hero. Also, what is the rule of exceptions? And, can something bad happening to us make us better writers? Support the show Buy the master class.
Episode 198 - A big way to make our dialogue riveting.
Essential Guide to Writing a Novel
26 minutes
1 week ago
Episode 198 - A big way to make our dialogue riveting.
Readers love dialogue, the chance to eavesdrop on the characters. Here is a good way to make that dialogue really worth listening to. Also, here are techniques that can tie our scenes together, which Jack Bickham calls transitions and sequels. In a story, what is a transition and what is a sequel? Support the show
Essential Guide to Writing a Novel
Sometimes in our story we'll have a scene filled with people where everyone is moving all at once, such as a battle scene or mob scene or festival scene or street scene. Here are techniques on crafting the scene so there's no confusion so readers can focus on the hero. Also, what is the rule of exceptions? And, can something bad happening to us make us better writers? Support the show Buy the master class.
