Robert Wellington was in conversation with Mathew Trinca on Roberts new book Versailles Mirrored. The Power of Luxury,Louis XIV to Donald Trump.
Why has Louis XIV's Palace of Versailles, defining symbol of hedonistic opulence in 17th-century France and synonymous with the notion of the divine right of kings, continued to shape the aesthetics of cultural capital in the centuries since his death?
In Versailles Mirrored, Robert Wellington tracks this enduring fascination with the Sun King's palace through eight case studies spanning the 17th to 21st centuries. The book demonstrates how the extravagant palace style began as a symbol of the state in the 17th century; how it was adopted by the nouveau riche to show off their financial success in the 19th century; and, remarkably, how that palace look returned to play a role in statecraft in the hands of US President Donald Trump. Wellington links the aristocratic architectural traditions of France, England, and Germany to North America through the lens of Versailles, French architecture, and the decorative arts.
Opening with a brief overview of the history of Versailles and the political and cultural motivations of its creation, subsequent chapters address aristocratic buildings in France and Germany built by the Sun King's contemporaries; historicism in the 19th century in Britain, Germany, and America; and the present day, with Trump's buildings and Château Louis XIV, known as the 'world's most expensive home', purchased by the Crown Prince of Saudi Arabia.In uncovering the motivations of those patrons, the book ultimately reveals why Versailles remains a powerful point of reference for those who wish to flaunt their social, cultural, and political capital.
Robert Wellington FSA is Associate Professor of Art History in the Centre for Art History and Art Theory, the Australian National University. He is an art historian with a special interest in the role of material culture in history making and cross-cultural exchange on one of the world's leading experts on the Palace of Versailles. He is a Fellow of the Society of Antiquaries, London and an expert judge on the ABCs upcoming Portrait Artist of the Year.
Dr Mathew Trinca Talalin AM FAHA is Professor of Museum Practice at the Australian National University. He is Chair of the Cultural Facilities Corporation in Canberra and sits on several arts and cultural sector boards and advisory bodies. Matthew was formerly Director of the National Museum of Australia between 2014 to 2024, and worked in senior roles in the Museum from 2003.
The vote of thanks was given by Helen Musa, arts editor of Canberra City news and convener of the Canberra Critics’ Circle.
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Robert Wellington was in conversation with Mathew Trinca on Roberts new book Versailles Mirrored. The Power of Luxury,Louis XIV to Donald Trump.
Why has Louis XIV's Palace of Versailles, defining symbol of hedonistic opulence in 17th-century France and synonymous with the notion of the divine right of kings, continued to shape the aesthetics of cultural capital in the centuries since his death?
In Versailles Mirrored, Robert Wellington tracks this enduring fascination with the Sun King's palace through eight case studies spanning the 17th to 21st centuries. The book demonstrates how the extravagant palace style began as a symbol of the state in the 17th century; how it was adopted by the nouveau riche to show off their financial success in the 19th century; and, remarkably, how that palace look returned to play a role in statecraft in the hands of US President Donald Trump. Wellington links the aristocratic architectural traditions of France, England, and Germany to North America through the lens of Versailles, French architecture, and the decorative arts.
Opening with a brief overview of the history of Versailles and the political and cultural motivations of its creation, subsequent chapters address aristocratic buildings in France and Germany built by the Sun King's contemporaries; historicism in the 19th century in Britain, Germany, and America; and the present day, with Trump's buildings and Château Louis XIV, known as the 'world's most expensive home', purchased by the Crown Prince of Saudi Arabia.In uncovering the motivations of those patrons, the book ultimately reveals why Versailles remains a powerful point of reference for those who wish to flaunt their social, cultural, and political capital.
Robert Wellington FSA is Associate Professor of Art History in the Centre for Art History and Art Theory, the Australian National University. He is an art historian with a special interest in the role of material culture in history making and cross-cultural exchange on one of the world's leading experts on the Palace of Versailles. He is a Fellow of the Society of Antiquaries, London and an expert judge on the ABCs upcoming Portrait Artist of the Year.
Dr Mathew Trinca Talalin AM FAHA is Professor of Museum Practice at the Australian National University. He is Chair of the Cultural Facilities Corporation in Canberra and sits on several arts and cultural sector boards and advisory bodies. Matthew was formerly Director of the National Museum of Australia between 2014 to 2024, and worked in senior roles in the Museum from 2003.
The vote of thanks was given by Helen Musa, arts editor of Canberra City news and convener of the Canberra Critics’ Circle.
Kate Reid was in conversation with Alex Sloan on her new book Destination Moon. A memoir of fast cars, French pastries and finding purpose. Destination Moon is an open-hearted memoir about passion and finding purpose from the woman whose mid-career, 180 degree turn, led her from the elite world of Formula 1 to opening in 2012 Melbourne's famous Lune Croissanterie, that has gone on to revolutionise the art of croissant-making.
At 13, Kate Reid already knew exactly where she was headed: a career in Formula 1, a life lived at full throttle. Like a master cartographer she had drawn the map of her future – all she had to do was follow the course she’d charted. But after earning a degree in aerospace engineering and taking up a coveted position at one of the top F1 teams in the UK, Kate discovered that the reality didn’t exactly live up to the dream. The pursuit of perfection that had once made her reach for the moon now sent her spiralling into a life-threatening battle against depression and anorexia.
From the grey skies of England and Monaco’s glittering, million-dollar harbour, to Melbourne’s trendy café scene and the spellbinding counters of Parisian patisseries, Kate searched for something that would bring meaning and passion back into her life: a destination worth driving towards at full speed.
‘A truly inspiring story of tenacity and humility, of strength and vulnerability, of dreams shattered and achieved – told so eloquently, honestly and bravely (and with Kate’s wicked sense of humour). It is also a story of love – for her family, for her passions, and in the end for herself.’ Nicole Piastri
Kate Reid is a visionary entrepreneur and the founder of Lune Croissanterie. Her career path has been anything but conventional with Kate initially pursuing aerospace engineering at RMIT University before following her lifelong passion for Formula 1 racing. After three years, however, she realised that the reality of the job didn’t match her expectations, prompting her return to Melbourne with a fresh goal: to forge a career in pastry. Kate honed her skills at one of Paris' top bakeries before opening in 2012 Lune Croissanterie, In 2023 Kate was awarded the RMIT Honorary Doctorate of Business honoris causa.
Alex Sloan AM is an award winning journalist, panellist, MC and commentator whose extensive media career spans 30 years, including 27 years with ABC Radio. Alex is a Director and Deputy Chair of Australia's think-tank, The Australia Institute and a Director of The Winston Churchill Memorial Trust. In 2017 Alex was named ACT Citizen of the Year and in 2019 was made a Member of the Order of Australia (AM) for her significant service to the Canberra community and to the broadcast media as a radio presenter.
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Robert Wellington was in conversation with Mathew Trinca on Roberts new book Versailles Mirrored. The Power of Luxury,Louis XIV to Donald Trump.
Why has Louis XIV's Palace of Versailles, defining symbol of hedonistic opulence in 17th-century France and synonymous with the notion of the divine right of kings, continued to shape the aesthetics of cultural capital in the centuries since his death?
In Versailles Mirrored, Robert Wellington tracks this enduring fascination with the Sun King's palace through eight case studies spanning the 17th to 21st centuries. The book demonstrates how the extravagant palace style began as a symbol of the state in the 17th century; how it was adopted by the nouveau riche to show off their financial success in the 19th century; and, remarkably, how that palace look returned to play a role in statecraft in the hands of US President Donald Trump. Wellington links the aristocratic architectural traditions of France, England, and Germany to North America through the lens of Versailles, French architecture, and the decorative arts.
Opening with a brief overview of the history of Versailles and the political and cultural motivations of its creation, subsequent chapters address aristocratic buildings in France and Germany built by the Sun King's contemporaries; historicism in the 19th century in Britain, Germany, and America; and the present day, with Trump's buildings and Château Louis XIV, known as the 'world's most expensive home', purchased by the Crown Prince of Saudi Arabia.In uncovering the motivations of those patrons, the book ultimately reveals why Versailles remains a powerful point of reference for those who wish to flaunt their social, cultural, and political capital.
Robert Wellington FSA is Associate Professor of Art History in the Centre for Art History and Art Theory, the Australian National University. He is an art historian with a special interest in the role of material culture in history making and cross-cultural exchange on one of the world's leading experts on the Palace of Versailles. He is a Fellow of the Society of Antiquaries, London and an expert judge on the ABCs upcoming Portrait Artist of the Year.
Dr Mathew Trinca Talalin AM FAHA is Professor of Museum Practice at the Australian National University. He is Chair of the Cultural Facilities Corporation in Canberra and sits on several arts and cultural sector boards and advisory bodies. Matthew was formerly Director of the National Museum of Australia between 2014 to 2024, and worked in senior roles in the Museum from 2003.
The vote of thanks was given by Helen Musa, arts editor of Canberra City news and convener of the Canberra Critics’ Circle.
