Robert Wellington was in conversation with Mathew Trinca on Roberts new book Versailles Mirrored. The Power of Luxury,Louis XIV to Donald Trump.
Why has Louis XIV's Palace of Versailles, defining symbol of hedonistic opulence in 17th-century France and synonymous with the notion of the divine right of kings, continued to shape the aesthetics of cultural capital in the centuries since his death?
In Versailles Mirrored, Robert Wellington tracks this enduring fascination with the Sun King's palace through eight case studies spanning the 17th to 21st centuries. The book demonstrates how the extravagant palace style began as a symbol of the state in the 17th century; how it was adopted by the nouveau riche to show off their financial success in the 19th century; and, remarkably, how that palace look returned to play a role in statecraft in the hands of US President Donald Trump. Wellington links the aristocratic architectural traditions of France, England, and Germany to North America through the lens of Versailles, French architecture, and the decorative arts.
Opening with a brief overview of the history of Versailles and the political and cultural motivations of its creation, subsequent chapters address aristocratic buildings in France and Germany built by the Sun King's contemporaries; historicism in the 19th century in Britain, Germany, and America; and the present day, with Trump's buildings and Château Louis XIV, known as the 'world's most expensive home', purchased by the Crown Prince of Saudi Arabia.In uncovering the motivations of those patrons, the book ultimately reveals why Versailles remains a powerful point of reference for those who wish to flaunt their social, cultural, and political capital.
Robert Wellington FSA is Associate Professor of Art History in the Centre for Art History and Art Theory, the Australian National University. He is an art historian with a special interest in the role of material culture in history making and cross-cultural exchange on one of the world's leading experts on the Palace of Versailles. He is a Fellow of the Society of Antiquaries, London and an expert judge on the ABCs upcoming Portrait Artist of the Year.
Dr Mathew Trinca Talalin AM FAHA is Professor of Museum Practice at the Australian National University. He is Chair of the Cultural Facilities Corporation in Canberra and sits on several arts and cultural sector boards and advisory bodies. Matthew was formerly Director of the National Museum of Australia between 2014 to 2024, and worked in senior roles in the Museum from 2003.
The vote of thanks was given by Helen Musa, arts editor of Canberra City news and convener of the Canberra Critics’ Circle.
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Robert Wellington was in conversation with Mathew Trinca on Roberts new book Versailles Mirrored. The Power of Luxury,Louis XIV to Donald Trump.
Why has Louis XIV's Palace of Versailles, defining symbol of hedonistic opulence in 17th-century France and synonymous with the notion of the divine right of kings, continued to shape the aesthetics of cultural capital in the centuries since his death?
In Versailles Mirrored, Robert Wellington tracks this enduring fascination with the Sun King's palace through eight case studies spanning the 17th to 21st centuries. The book demonstrates how the extravagant palace style began as a symbol of the state in the 17th century; how it was adopted by the nouveau riche to show off their financial success in the 19th century; and, remarkably, how that palace look returned to play a role in statecraft in the hands of US President Donald Trump. Wellington links the aristocratic architectural traditions of France, England, and Germany to North America through the lens of Versailles, French architecture, and the decorative arts.
Opening with a brief overview of the history of Versailles and the political and cultural motivations of its creation, subsequent chapters address aristocratic buildings in France and Germany built by the Sun King's contemporaries; historicism in the 19th century in Britain, Germany, and America; and the present day, with Trump's buildings and Château Louis XIV, known as the 'world's most expensive home', purchased by the Crown Prince of Saudi Arabia.In uncovering the motivations of those patrons, the book ultimately reveals why Versailles remains a powerful point of reference for those who wish to flaunt their social, cultural, and political capital.
Robert Wellington FSA is Associate Professor of Art History in the Centre for Art History and Art Theory, the Australian National University. He is an art historian with a special interest in the role of material culture in history making and cross-cultural exchange on one of the world's leading experts on the Palace of Versailles. He is a Fellow of the Society of Antiquaries, London and an expert judge on the ABCs upcoming Portrait Artist of the Year.
Dr Mathew Trinca Talalin AM FAHA is Professor of Museum Practice at the Australian National University. He is Chair of the Cultural Facilities Corporation in Canberra and sits on several arts and cultural sector boards and advisory bodies. Matthew was formerly Director of the National Museum of Australia between 2014 to 2024, and worked in senior roles in the Museum from 2003.
The vote of thanks was given by Helen Musa, arts editor of Canberra City news and convener of the Canberra Critics’ Circle.
Sam Guthrie was in conversation with Mark Kenny on his gripping new espionage thriller and debut novel, The Peak. Written with an extraordinary insider knowledge of China, the realities of global power and the inner dealings of the Australian Government, The Peak weaves an intriguing story of friendship, love and betrayal.
Political hatchet man Charlie will do anything to protect Sebastian, Australian government minister and his best friend since their brutal private school days. Rising to power and prominence through international diplomatic postings and then the rough and tumble of Australian politics, they are as close as brothers - or so Charlie thinks - while both keep the secret that lies at the very heart of their relationship - a secret that in one way or another will change the world.
But then a single phrase in Mandarin is spoken in Sebastian's ear and he does the unthinkable. As Charlie tries to piece it all together - from their youth spent in Hong Kong to the recent past in Beijing and Washington - things in the outside world start to fall apart too. Planes can't land, the phone lines go down and the power is out. Then the secret intelligence services comes knocking. Charlie wonders, what the hell did Sebastian do?
From the jostling streets of Hong Kong to Beijing's shadowy halls of power and the backstabbing Machiavellian workings of Parliament House in Canberra. The Peak combines the authenticity and moral complexity of a Le Carre novel and the narrative power of an Australian Robert Harris.
'Sam Guthrie is a born writer - this is a cracking thriller' Dervla McTiernan
Prior to publishing his first novel, The Peak, Sam Guthrie had a 25 year career in international relations serving as a trade envoy to China, an Asia Pacific corporate affairs adviser and political lobbyist and a senior government official. He has worked extensively across Europe, the US and Asia, and has spent close to a decade living and working in Shanghai, Hong Kong and Prague. He has a master's degree in international relations. He splits his time between Canberra and Sydney.
Professor Mark Kenny is Director of the Australian Studies Institute at ANU, where he hosts the popular podcast series 'Democracy Sausage'. Mark is the Canberra Times political analyst and a regular on the ABC's Insiders, and countless broadcast programs across the country.
The vote of thanks wasThePeak given by Allan Behm, Senior Advisor, International & Security Affairs Program. The Australia Institute
Experience ANU
Robert Wellington was in conversation with Mathew Trinca on Roberts new book Versailles Mirrored. The Power of Luxury,Louis XIV to Donald Trump.
Why has Louis XIV's Palace of Versailles, defining symbol of hedonistic opulence in 17th-century France and synonymous with the notion of the divine right of kings, continued to shape the aesthetics of cultural capital in the centuries since his death?
In Versailles Mirrored, Robert Wellington tracks this enduring fascination with the Sun King's palace through eight case studies spanning the 17th to 21st centuries. The book demonstrates how the extravagant palace style began as a symbol of the state in the 17th century; how it was adopted by the nouveau riche to show off their financial success in the 19th century; and, remarkably, how that palace look returned to play a role in statecraft in the hands of US President Donald Trump. Wellington links the aristocratic architectural traditions of France, England, and Germany to North America through the lens of Versailles, French architecture, and the decorative arts.
Opening with a brief overview of the history of Versailles and the political and cultural motivations of its creation, subsequent chapters address aristocratic buildings in France and Germany built by the Sun King's contemporaries; historicism in the 19th century in Britain, Germany, and America; and the present day, with Trump's buildings and Château Louis XIV, known as the 'world's most expensive home', purchased by the Crown Prince of Saudi Arabia.In uncovering the motivations of those patrons, the book ultimately reveals why Versailles remains a powerful point of reference for those who wish to flaunt their social, cultural, and political capital.
Robert Wellington FSA is Associate Professor of Art History in the Centre for Art History and Art Theory, the Australian National University. He is an art historian with a special interest in the role of material culture in history making and cross-cultural exchange on one of the world's leading experts on the Palace of Versailles. He is a Fellow of the Society of Antiquaries, London and an expert judge on the ABCs upcoming Portrait Artist of the Year.
Dr Mathew Trinca Talalin AM FAHA is Professor of Museum Practice at the Australian National University. He is Chair of the Cultural Facilities Corporation in Canberra and sits on several arts and cultural sector boards and advisory bodies. Matthew was formerly Director of the National Museum of Australia between 2014 to 2024, and worked in senior roles in the Museum from 2003.
The vote of thanks was given by Helen Musa, arts editor of Canberra City news and convener of the Canberra Critics’ Circle.
