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Fable & The Verbivore
Fable & The Verbivore
100 episodes
8 months ago
This week on Fable and the Verbivore, we’re talking about lessons learned from Fable’s work co-leading an anthology project. Recently Fable has been working with another author to put together an anthology to benefit a charity. This process included inviting other authors to contribute connected stories with a common character, reading through and organizing those individual stories into an overarching arc, and communicating feedback and line edits to each author in order to prepare the pieces for publication.  This episode serves as a sort of examination unpacking Fable’s experience in real time. She shares some unexpected experiences and lessons learned, different ways of looking at things that have helped her navigate challenges that arose, and new practices that she intends to lean on if she does any future anthology projects. But, also, we feel this conversation can be useful for those considering participating in future anthologies and those thinking of leading them to help look at the experience from both perspectives, and find ways to help strengthen the initial handshake at the beginning of a project so that expectations are as clear and well communicated as possible. Here are some of the takeaways: - Be as clear and specific as possible up front about the rules and expectations (who does what), timeframes (when will certain actions be taking place), and level of editing (copyediting vs proofreading vs line editing). - Consider making an anthology submission based, allowing yourself the option to select work that fits within your intention and to gently reject work that doesn’t. - Communicate feedback as early as possible. - At the outset, clarify to yourself what you want the work to be (your intention) and what level of labor you are commiting to the project. - Meet difficult interactions with patience, empathy, and compassion. Try to see from their perspective and acknowledge their feelings, and hope they will do the same for you.  - Don’t take baggage from one experience into another, but use what you learned in a thorny situation to help finesse your next interactions and communications. - As a writer, be open to feedback reminding yourself that the intention is simply to improve the work and make it better. Within the anthology setting, it’s also meant to help it fit better with the other pieces in the project. Try not to take it personally or hold your work too closely, and if critique feels like an attack consider doing some journaling to explore why. - Plan for what to do if the relationship breaks down, allow for other’s work to be withdrawn or ensure the project allows for your work to be withdrawn if an agreement cannot be reached. Towards the end of our conversation, we discuss how valuable having a difficult experience can be in teaching what not to do in the future and also what you can add or adjust to make a project smoother. Reviewing and assessing what you would do differently in real time during the process — while you are experiencing pain points and see clearly where there are failures — can help streamline future projects. But, also, compassionate communication and patient understanding go a long way. However, in the end you can only control how you react, so release yourself from gilt over how an interaction ultimately unfolds.  We hope you enjoy this episode and that you can take away some of the lessons that Fable learned through doing to use in your own writing life! And keep reading, writing, and putting your voice out there! Into the woods, Fable & The Verbivore
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This week on Fable and the Verbivore, we’re talking about lessons learned from Fable’s work co-leading an anthology project. Recently Fable has been working with another author to put together an anthology to benefit a charity. This process included inviting other authors to contribute connected stories with a common character, reading through and organizing those individual stories into an overarching arc, and communicating feedback and line edits to each author in order to prepare the pieces for publication.  This episode serves as a sort of examination unpacking Fable’s experience in real time. She shares some unexpected experiences and lessons learned, different ways of looking at things that have helped her navigate challenges that arose, and new practices that she intends to lean on if she does any future anthology projects. But, also, we feel this conversation can be useful for those considering participating in future anthologies and those thinking of leading them to help look at the experience from both perspectives, and find ways to help strengthen the initial handshake at the beginning of a project so that expectations are as clear and well communicated as possible. Here are some of the takeaways: - Be as clear and specific as possible up front about the rules and expectations (who does what), timeframes (when will certain actions be taking place), and level of editing (copyediting vs proofreading vs line editing). - Consider making an anthology submission based, allowing yourself the option to select work that fits within your intention and to gently reject work that doesn’t. - Communicate feedback as early as possible. - At the outset, clarify to yourself what you want the work to be (your intention) and what level of labor you are commiting to the project. - Meet difficult interactions with patience, empathy, and compassion. Try to see from their perspective and acknowledge their feelings, and hope they will do the same for you.  - Don’t take baggage from one experience into another, but use what you learned in a thorny situation to help finesse your next interactions and communications. - As a writer, be open to feedback reminding yourself that the intention is simply to improve the work and make it better. Within the anthology setting, it’s also meant to help it fit better with the other pieces in the project. Try not to take it personally or hold your work too closely, and if critique feels like an attack consider doing some journaling to explore why. - Plan for what to do if the relationship breaks down, allow for other’s work to be withdrawn or ensure the project allows for your work to be withdrawn if an agreement cannot be reached. Towards the end of our conversation, we discuss how valuable having a difficult experience can be in teaching what not to do in the future and also what you can add or adjust to make a project smoother. Reviewing and assessing what you would do differently in real time during the process — while you are experiencing pain points and see clearly where there are failures — can help streamline future projects. But, also, compassionate communication and patient understanding go a long way. However, in the end you can only control how you react, so release yourself from gilt over how an interaction ultimately unfolds.  We hope you enjoy this episode and that you can take away some of the lessons that Fable learned through doing to use in your own writing life! And keep reading, writing, and putting your voice out there! Into the woods, Fable & The Verbivore
Show more...
Books
Arts,
Personal Journals,
Education,
Society & Culture,
Self-Improvement
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Episode 253: Fable's Recent Reads
Fable & The Verbivore
10 minutes 18 seconds
1 year ago
Episode 253: Fable's Recent Reads
These notes include affiliate links. Today on Fable and the Verbivore, we’re sharing our latest book reads conversation — this is part 2 of 2 featuring Fable’s stories! Over the last year instead of doing our typical bookclub episodes, we’ve started talking about some of the things we’ve recently read and enjoyed, connected with, or learned from. It’s been a great way to share what we’re consuming and loving lately and finding new recommendations. In this episode, Fable digs into what she’s learning from the books she DNFs and through the ones that she finishes, thinking about chapter length, and assessing how she invests her time in book selling activities to identify which ones actually pay off. Her books include a light paranormal romance about an old hex that forces two once friends who are now enemies to get married (The Marriage Hex) and a craft book on fixes for when your work isn’t selling (Why Does My Book Not Sell? 20 Simple Fixes). We also talk about things like: - Making sure to establish early on what a character wants and the situation that they are trying to get out of - Being more strategic about how to approach releasing work. Based on what she and other authors have experienced - street teams, arc readers, and Facebook ads are the most effective - Using techniques from craft books that are focused more on thriller and horror to increase tension even in stories like romance and rom-com - Tricks like how onomatopoeias make readers feel the sound deeply, the unease we as humans have with doorways, and stripping things away from your characters make them appear more vulnerable We hope you enjoy this episode! Keep reading, writing, and putting your voice out there! Into the woods, Fable & The Verbivore
Fable & The Verbivore
This week on Fable and the Verbivore, we’re talking about lessons learned from Fable’s work co-leading an anthology project. Recently Fable has been working with another author to put together an anthology to benefit a charity. This process included inviting other authors to contribute connected stories with a common character, reading through and organizing those individual stories into an overarching arc, and communicating feedback and line edits to each author in order to prepare the pieces for publication.  This episode serves as a sort of examination unpacking Fable’s experience in real time. She shares some unexpected experiences and lessons learned, different ways of looking at things that have helped her navigate challenges that arose, and new practices that she intends to lean on if she does any future anthology projects. But, also, we feel this conversation can be useful for those considering participating in future anthologies and those thinking of leading them to help look at the experience from both perspectives, and find ways to help strengthen the initial handshake at the beginning of a project so that expectations are as clear and well communicated as possible. Here are some of the takeaways: - Be as clear and specific as possible up front about the rules and expectations (who does what), timeframes (when will certain actions be taking place), and level of editing (copyediting vs proofreading vs line editing). - Consider making an anthology submission based, allowing yourself the option to select work that fits within your intention and to gently reject work that doesn’t. - Communicate feedback as early as possible. - At the outset, clarify to yourself what you want the work to be (your intention) and what level of labor you are commiting to the project. - Meet difficult interactions with patience, empathy, and compassion. Try to see from their perspective and acknowledge their feelings, and hope they will do the same for you.  - Don’t take baggage from one experience into another, but use what you learned in a thorny situation to help finesse your next interactions and communications. - As a writer, be open to feedback reminding yourself that the intention is simply to improve the work and make it better. Within the anthology setting, it’s also meant to help it fit better with the other pieces in the project. Try not to take it personally or hold your work too closely, and if critique feels like an attack consider doing some journaling to explore why. - Plan for what to do if the relationship breaks down, allow for other’s work to be withdrawn or ensure the project allows for your work to be withdrawn if an agreement cannot be reached. Towards the end of our conversation, we discuss how valuable having a difficult experience can be in teaching what not to do in the future and also what you can add or adjust to make a project smoother. Reviewing and assessing what you would do differently in real time during the process — while you are experiencing pain points and see clearly where there are failures — can help streamline future projects. But, also, compassionate communication and patient understanding go a long way. However, in the end you can only control how you react, so release yourself from gilt over how an interaction ultimately unfolds.  We hope you enjoy this episode and that you can take away some of the lessons that Fable learned through doing to use in your own writing life! And keep reading, writing, and putting your voice out there! Into the woods, Fable & The Verbivore