This week, we review Andrew DeYoung’s cringe comedy fest FRIENDSHIP (08:47), Athina Rachel Tsangari’s stark period drama HARVEST (26:14), and Madeleine Hunt-Ehrlich’s lyrical documentary-biopic hybrid THE BALLAD OF SUZANNE CÉSAIRE (43:05).
Plus, in our HOT TAKE (57:46), we talk about the current state of horror criticism and why so few studio horrors, from Until Dawn to I Know What You Did Last Summer, are being screened for critics.
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Music by The Last Skeptik
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