Marina Warner, Anna Della Subin, Adam Thirlwell and Chloe Aridjis traverse the great parallel tradition of the literature of astonishment and wonder, dread and hope, from the 1001 Nights to Ursula K. Le Guin.
Marina Warner is a writer of history, fiction and criticism whose many books include Stranger Magic, Forms of Enchantment and Once Upon a Time: A Short History of Fairy Tale. She was awarded the Holberg Prize in 2015 and is a contributing editor at the LRB.
Texts include:
The Thousand and One Nights
Jonathan Swift, Gulliver’s Travels
The Travels of Marco Polo
Italo Calvino, Invisible Cities
Lewis Carroll, Alice’s Adventures in Wonderland and Through the Looking-Glass
The stories of Franz Kafka
James Hogg, The Private Memoirs and Confessions of a Justified Sinner: Written by Himself
Mikhail Bulgakov, The Master and Margarita
Mary Shelley, Frankenstein
Jorge Luis Borges, Ficciones
Leonora Carrington, The Hearing Trumpet
and works by Angela Carter, J.G. Ballard and Ursula K. Le Guin
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Marina Warner, Anna Della Subin, Adam Thirlwell and Chloe Aridjis traverse the great parallel tradition of the literature of astonishment and wonder, dread and hope, from the 1001 Nights to Ursula K. Le Guin.
Marina Warner is a writer of history, fiction and criticism whose many books include Stranger Magic, Forms of Enchantment and Once Upon a Time: A Short History of Fairy Tale. She was awarded the Holberg Prize in 2015 and is a contributing editor at the LRB.
Texts include:
The Thousand and One Nights
Jonathan Swift, Gulliver’s Travels
The Travels of Marco Polo
Italo Calvino, Invisible Cities
Lewis Carroll, Alice’s Adventures in Wonderland and Through the Looking-Glass
The stories of Franz Kafka
James Hogg, The Private Memoirs and Confessions of a Justified Sinner: Written by Himself
Mikhail Bulgakov, The Master and Margarita
Mary Shelley, Frankenstein
Jorge Luis Borges, Ficciones
Leonora Carrington, The Hearing Trumpet
and works by Angela Carter, J.G. Ballard and Ursula K. Le Guin
Born from grief, exile, intellectual ferment and the ‘year without a summer’, Frankenstein is a creation myth with its own creation myth. Mary Shelley’s novel is a foundational work of science fiction, horror and trauma narrative, and continues to spark reinvention and reinterpretation.
In their fourth conversation together, Adam Thirlwell and Marina Warner explore Shelley’s treatment of birth, death, monstrosity and the limits of science. They discuss Frankenstein’s philosophical and personal undercurrents, and how the creature and his creator have broken free from the book.
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Read more in the LRB:
Claire Tomalin on Mary Shelley’s letters:
https://lrb.me/ffshelley1
Caroline Gonda on the original Frankenstein:
https://lrb.me/ffshelley2
Marilyn Butler on Frankenstein as myth:
https://lrb.me/ffshelley3
Anne Barton on Mary Shelley’s life:
https://lrb.me/ffshelley4
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Fiction and the Fantastic
Marina Warner, Anna Della Subin, Adam Thirlwell and Chloe Aridjis traverse the great parallel tradition of the literature of astonishment and wonder, dread and hope, from the 1001 Nights to Ursula K. Le Guin.
Marina Warner is a writer of history, fiction and criticism whose many books include Stranger Magic, Forms of Enchantment and Once Upon a Time: A Short History of Fairy Tale. She was awarded the Holberg Prize in 2015 and is a contributing editor at the LRB.
Texts include:
The Thousand and One Nights
Jonathan Swift, Gulliver’s Travels
The Travels of Marco Polo
Italo Calvino, Invisible Cities
Lewis Carroll, Alice’s Adventures in Wonderland and Through the Looking-Glass
The stories of Franz Kafka
James Hogg, The Private Memoirs and Confessions of a Justified Sinner: Written by Himself
Mikhail Bulgakov, The Master and Margarita
Mary Shelley, Frankenstein
Jorge Luis Borges, Ficciones
Leonora Carrington, The Hearing Trumpet
and works by Angela Carter, J.G. Ballard and Ursula K. Le Guin
